takashi yamaguchi & associates: silent office
takashi yamaguchi & associates: silent office

'silent office' by takashi yamaguchi & associates in tokyo, japan
all images courtesy takashi yamaguchi & associates
'silent office' by japanese practice takashi yamaguchi & associates is a three-storey corporate complex
on an elevated highway near haneda airport, tokyo. driven by the disruptive nature of the site,
the design aims to provide a detached and peaceful internal environment within its rectangular volume.
bound by a busy intersection on one corner, the building has a solid and autonomous presence wrapped
in a continuous skin of metal panels. the exterior offers no conventional windows but sparsely-placed slits
that run low along the length of an interior corridor or room. spaces for parking, delivery/receiving,
and a warehouse are accommodated on the main level.

third floor office space arranged next to the terrace
on the third floor, the office work space is arranged around two excised volumes that serve as
outdoor balconies. natural daylight is gained while views and noise of the traffic are kept out.
the result is a continuous space that facilitates communication among workers and companies,
offering both creative and meeting spaces with varying levels of openness and privacy.

terrace at night

stairs leading down from the terrace

entrance

showroom

naturally bottom-lit corridor



street view from the north

site plan

floor plan / level 0
(1) entrance
(2) hall
(3) lobby
(4) office
(5) storehouse
(6) reception
(7) storage
(8) parking
(9) space
(10) utility
(11) balcony
(12) terrace

floor plan / level +1

floor plan / level +2

section
(1) entrance
(2) hall
(3) lobby
(4) office
(5) storehouse
(6) reception
(7) storage
(8) parking
(9) space
(10) utility
(11) balcony
(12) terrace

section

(clockwise from top left) south elevation, east elevation, west elevation, north elevation

axonometric views
Very, very nice design and style. Puristic, sleek and dark, just how I like it.
But: Japan you're doing it wrong with your power lines. You're disfiguring your facades and your view.
But: Japan you're doing it wrong with your power lines. You're disfiguring your facades and your view.
Sebastian 02.03.11
super posh
lobster rocket 02.03.11
Well-done interior, space nicely handled. But the facade is just nasty, gives nothing and leaves an aggressive to-hell-with-you blank in the cityscape. Anywhere but Japan it would get tagged big time.
Tom P 02.03.11
Hermetic hell. Unless you're a Bond Villain or a resting Superhero.
JAH 02.03.11
I would like to be in this building if it were a hotel or store, but using dark interiors for an office space!? Peaceful?...yes...silent? hopefully...motivating space for employees to work in?...sleep is more like!
mel 02.03.11
some really powerful spaces there.
fischinger 02.03.11
my god what a lifeless cube.
no 02.03.11
here is an excellent example of how unrealistic it is to show architecture without furniture or other interior acoutrements - I'd be very interested in seeing how these dark somber spaces look when they are occupied
I like them from a sculptural/haptic standpoint, but I agree with the comments regarding the appropriateness of them as an office environment. However, properly kitted out, they just might work.
As for the exterior - remember the context. While this might be horribly offensive in many locations, it sounds as though it might actually be appropriate in this case.
I like them from a sculptural/haptic standpoint, but I agree with the comments regarding the appropriateness of them as an office environment. However, properly kitted out, they just might work.
As for the exterior - remember the context. While this might be horribly offensive in many locations, it sounds as though it might actually be appropriate in this case.
dbkii 02.05.11
takashi yamaguchi: parametric fragment
architecture | 01.20.12
surrounded with stretches of green rice fields, the aluminum panel exterior of this residence reflects the changing lighting conditions as the land changes from the planting to harvesting season.
3
takashi yamaguchi & associates: house in
architecture | 02.09.11
composed of two volumes, the design utilizes a set of vertical and horizontal voids to extend the sense of space while directly connecting the interior with the surrounding landscape.
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