27: denmark - bjarke ingels group

bjarke ingels with the 27 project team in copenhagen, denmark
image © LAN architecture, undo-redo
in the second instalment of '27: a journey through contemporary architecture in europe',
paris-based studio LAN architecture, FATCAT films and french graphic designers undo-redo
visits bjarke ingels of internationally-renowned BIG. designboom brings you the exclusive
first look at the team's meeting with the young architect as they explore the rich backdrop
of copenhagen and to discuss the distinct characters and values of danish architecture.
27 DENMARK Bjarke Ingels from FatCat Films on Vimeo.
since establishing his own practice in 2006, bjarke ingels (copenhagen, denmark, 1974) has gained
world-wide recognition for his playful yet practical approach to the built environment. often being
driven by evolutions, typologies, user experience and social elements, BIG's work sets a new standard
for contemporary architecture in its clear formal reading of multiple functions and coherent space.
'as an architect, I am interested in the real world and its mechanisms,' says ingels. 'I think it is not
possible to start working on a project without considering the references that already exist;
instead of focusing on different aspects, it is important to work on the elements present in the setting
in order to be able to inject innovation to the project.'

'mountain dwellings' by bjark ingels and julien de smedt in copenhagen, denmark (2008)
image © LAN architecture, undo-redo

image © LAN architecture, undo-redo
while denmark is considered today to be a thriving and lively location for contemporary architecture,
the country had a very limited range of typologies and buildings as early as ten years back.
'but somehow the provincial bubble burst and the alternative propositions started to be accepted
and taken into consideration,' says ingels. 'at around that time, we won three competitions in
6 months… it was a new architectural danish renaissance.'
since then, the principles and primary expressions of danish architecture - the importance of
public space, social issues, the tangible link between function and form, coherent geometry
and proportions - have been exhibited and recognized on a world-wide platform.

'VM house' by bjarke ingels and julien de smedt in copenhagen, denmark (2005)
image © LAN architecture, undo-redo

image © LAN architecture, undo-redo
highly pragmatic in nature and style, ingels believes that architecture is the result of a collective
give-and-take between the architect, the institution, the investors and - perhaps most importantly - the people.
this focus has led to a very recognizable method of presentation that the practice utilizes to communicate
its main concepts and ideas. consisting of simple logos, schemes, and diagrams, the context of each project
is made legible, making their architecture open and comprehensible for the public mass. 'it is very crucial
that we are able to transmit our own ideas within the team and with all the consultants,' ingels says about
this practice. 'as a result, advertisement is created within the project itself through a process that is both
theoretical and practical… our projects are accessible to everybody because everybody can understand them.'

'8 house' by BIG in orestad, copenhagen (2010)
image © LAN architecture, undo-redo

image © LAN architecture, undo-redo
to see more images of 'house 8', click here for our previous coverage on the project

'tietgenkollegiet' by lundgaard & tranberg in copenhagen, denmark (2005)
image © LAN architecture, undo-redo

image © LAN architecture, undo-redo

interior view of a unit
image © LAN architecture, undo-redo
image © LAN architecture, undo-redo
'bagsvaerd church' by jorn utzon in copenhagen, denmark (1976)
image © LAN architecture, undo-redo

interior view of 'bagsvaerd church'
image © LAN architecture, undo-redo

'concert hall' by jean nouvel in copenhagen, denmark (2006)
images © LAN architecture, undo-redo

facade
image © LAN architecture, undo-redo

'round tower' commissioned by king christian IV in copenhagen, denmark (1642)
image © LAN architecture, undo-redo

outside the BIG office
image © LAN architecture, undo-redo

behind the scenes
image © LAN architecture, undo-redo

film still
image © LAN architecture, undo-redo

image © LAN architecture, undo-redo

dinner with the team in copenhagen
image © LAN architecture, undo-redo

bjarke ingels
image © LAN architecture, undo-redo
remember to check out 27's website for more images and behind-the-scenes
look of their visit with bjarke ingels.
to read more on '27: a journey through contemporary architecture in europe',
click through to our article on the project's scope here.
In Italy something like popular houses
...and then...
A triangular balcony?
Come on!
The architecture is for people not for architecte's ego
He is a great manager , not a great architect for me
I'm wondering how the shapes of these buildings reflect the economic interests of the investors. Striking for me for example is the residential building of LAN architects who designed fundamentally different lighting conditions for the tenants. This condition renders some flats more favorable and some less favorable. To me this sounds like a market-oriented calculation that tries to expand the price range of the apartments that are for sale - they must be for sale because the building doesn't exactly look like social housing to me. Speaking of which. Where are the social housing projects of today, dear architects? Drowned by the liberal agenda of which today's architects are the 'artistic' representatives?
Back to the financial interest of investors. Architects to help expand the price range, and investors can justify price differences by means of design. This is of course of interest for investors, who always strive for more diversification of commodity. This way they expand their reach right? This way they don't just reach the upper class but also the upper middle class. In short: they can sell more.
When I studied architecture my fundamental understanding was shaped towards designing fair and equal spaces. Not spaces that enforce social class structure - the buildings here are exactly that: an expression of a liberal market.
They don't even come close to what Aravena has achieved in Iquique. Not ethically, let alone in terms of architecture, which is still much more than just design, material, budget and marketing.
27: belgium
the fourth stop in the ongoing journey across europe, the LAN architecture team visits with julien de smedt of JDS architects in brussels, belgium to discuss the current state of his country's built environment.
27: ireland
the third installment in the 27 project, the team visits dublin-based ODOS architects to discuss the current climate and future projections of contemporary architecture in ireland.
BIG architects: cross # towers, seoul, korea
these residential towers in the yongsan international business district revitalize the han riverfront into a new commercial and residential center for the citizens of seoul, korea.
BIG architects: beach + howe
a highway bridge traverses the site of this residential complex, dividing the usable area into odd-shaped lots, generating a tower profile which grows from a slender base to bypass the urban noises.
BIG architects + AECOM: chicago navy pier
the design suggests extending the existing pier upwards by elevating public life onto the rooftops of the structures, restoring uninterrupted views of the windy city's famous skyline.
atelier du pont: tres honore restau
a space filled with elements of fantasy and make believe. it is a world of fairly tales and new experiences. a wonderland for y...
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