zaha hadid: chanel mobile art pavilion paris

'mobile art pavilion' by zaha hadid, paris, france
image © francois lacour, courtesy of institut du monde arabe
zaha hadid's mobile art pavilion has found its permanent home outside of the institute du monde arabe in paris
after a world tour - inclusive of new york, tokyo and hong kong - that began in 2008. donated to the institute by chanel,
the unit will aid in the development of broader cultural programs at the center and will host exhibitions that showcase
the talent of designers, artists and architects from arab countries.
conceived through a system of natural organization, the structure is shaped by both functional and conceptual considerations.
fluid geometries and organic lines compose a continuum of fluent and dynamic spaces, where oppositions between light and dark,
interior and exterior and natural and artificial are manufactured. undulating surfaces and flowing volumes converge,
constantly redefining the quality and experience of each exhibition space, while guiding movement throughout.

entrance
image © designboom
distorted and contoured, the unit is an expression of the
integration between sculpted lines and formal logic.
derived from new
digital modeling tools, the low spiraling pavilion contrasts the order
and repetition evident in
jean nouvel's nearby building.

exterior elevation
image © designboom

detail of exterior cladding
image © designboom

exterior entrance
image © designboom

entrance
image © designboom

coat closet
image © designboom

ceiling detail
image © designboom

entrance
image © designboom

lobby
image © designboom

wall detail
image © designboom

view towards lobby
image © francois lacour, courtesy of institut du monde arabe

detail of area divider
image © francois lacour, courtesy of institut du monde arabe

exhibition space
image © designboom

bench in exhibition space
image © designboom

ramp
image © designboom

physical model
image © designboom

physical model
image © designboom

floor plan
image courtesy of zaha hadid architects

aerial view at night
image © francois lacour, courtesy of institut du monde arabe

night view
image © francois lacour, courtesy of institut du monde arabe
The design is so seemless and the internal spaces fluid and flexible....excellent design!!!
you can not tell the exhibits from the exhibition-space, and that is not what architecture is about.
It's not architecture, it's a walk-in-sculpture.
and in these terms, it's ugly.
And anyway, so what if its walk-in sculpture? What will happen to users if it is, will they die or something?
I agree that in order to qualify as a gallery the exhibits should be the focus within the interior, and therefore it could be accused of being a little over-designed.
I do not claim that it is my pleasure to define the parameters of architecture, but i think i hit common ground when i say, that architecture itself is not to be displayed as a pure work of art, architecture is not just beautiful but should be practical, and ergonomic for those who use it: "form follows function". That is easy to say, i know, but in my opinion, good architecture tells already on the outside what's happening on the inside. And in this case it could be everything from a bus-station to a luxurious porter-potty.
And no, nobody will die because of it being a walk-in sculpture, but i merely criticize the way of it being an exhibition space, as it puts itself on the same level, if not before the exhibits.
as a designer I can say that she is a good architect! ;)
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