serie architects: wuxi civic centre

serie architects: wuxi civic centre


'wuxi civic centre' by serie architects in wuxi, china
all images courtesy serie architects



london- and mumbai-based architecture practice serie (christopher lee, kapil gupta)
has won first prize in the design competition for the wuxi xishan civic centre in china.
beating out other international shortlisted teams which included nihonsekkei and GMP architekten,
the proposal comprises two towers which will house all the regional governmental functions,
a 30,000 m2 cultural centre, an office district, and 25,000 m2 of auxiliary buildings.

situated on a 270,000 m2 site west of shanghai, the design pivots around a large open plaza
which seeks to serve as the focal point of public life and expression within the civic centre.
the forum hold visual gravity in the symmetry of the layout, featuring a strong axial relationship
to the main entrance and the 80,000 m2 towers. the facade of the buildings at street level delineates
a long arc that transfers to the top of the structures in a subtle curve. a regular masonry grid defines
the surfaces while also providing a louver effect, cutting solar gain on the glazing to reduce heating
and cooling costs.

the main civic centre auxiliary building and cultural centre feature a grand colonnade facade
which references the historical form in spaces of political activity, discussions, and exchange.
connecting the different freestanding buildings together is a common plinth which leads from
a grand walkway that runs along the main axis. generous groves of trees flank the plaza on
both sides, providing a shaded green space that help establish the larger symmetry of the plan.



general perspective



view from plaza

erica db
10.04.11  
3
remembers me of Brasilia
Fran_lfc   10.04.11
I am normally opposed to such stark symmetry but it seems to work here.
osser   10.04.11
The twisting central blocks work as a composition and have a lot of potential, but I find the 'servant' wings unsuccessful and actually distracting from the strong, vertical elements.

I think Foster tried the 'pillows held by a frame floating over a building' already with his Reichstag competition entry. Still not exactly sure why he won to then produced the Calatrava dome. Anyone?

I just found the answer here on a really excellent posting -
http://www.architectureinberlin.com/?cat=48
dextersdragon   10.06.11

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