venice architecture biennale 08 preview: zaha hadid architects

the ‘lotus’ is a system of enfolded furnishings through which one can seduce and engage the immediate and more
distant world. this room fluctuates between two extreme states: one which is highly condensed and exclusive of its
surroundings and the other which is unfolded, dispersed and interlocked into its environment. reconfiguration is also a
means towards appropriation and personalization.

the ‘lotus’ room is conceived as a fragmented enclosure that can be compressed and expanded into programmed
areas for resting, sitting, storage, and browsing. a multitude of folds structure these programs both formally
and functionally. the space of the room is in transience and fluctuates between two extreme states:

one which is highly condensed and exclusive of its surroundings and the other which is unfolded, dispersed and
interlocked into its environment. furniture and architecture become integrated and mobile as the various parts are
released from their compact configuration to reveal a mobile desk with encased chair, bed, shelving, a wardrobe
rail/room divider, and end table. increased variety and possibilities for habitation are revealed as the lotus
seductively sheds and unveils its embedded counterparts.

showcase of projects by leading russian and foreign architects working in russia. the capital hill residence is under
construction with expected completion date 2010.


zaha hadid architects have authored several hundred projects - over a period of 30 years - in a unified effort:
the quest for architecture to take on the dynamic complexity of contemporary society. at the same time there is
a cumulative build up of virtuosity, resolution and refinement. this is a function of the consistency of agenda,
ambition and values that allow us to build achievement upon achievement.

an exhibition responding to the biennale’s theme 'out there. architecture beyond building', which brings together fifty
architects who represent what architecture can give to the city and its inhabitants.

on the occasion of the 500th anniversary of andrea palladio’s birth, zaha hadid and patrik schumacher present
'aura'. an experiment in translating villa foscari ’s palladian design, aura relies on a definite set of harmonic
proportions where elegance and dynamism is generated through a process defined by a non-linear set of rules
derived from palladio’s theories. see our previous blog entry on 'aura'
more
zaha hadid architects: http://www.zaha-hadid.com
venice architecture biennale: http://www.labiennale.org/en/architecture
other venice architecture biennale 2008 previews
greg lynn | an te liu | penezic & rogina architects
designboom snapshot report: venice biennale 2006
zaha hadid: broad art museum nearing completi
enclosed with a pleated stainless steel facade, this contemporary structure immersed within the traditional brick gothic campus is nearing completion in east lansing, michigan.
zaha hadid: roca london gallery
the main idea behind the design draws on the power of erosion and the movement of water, which is depicted by the undulating forms found both inside and outside.
zaha hadid: galaxy soho in process
designboom visited the construction site for this undulating and interconnected office, retail and entertainment complex in beijing, china.
kastiel: uganda glass cabinet
taking form from old world voyage boxes, this glass cabinet maintains the shape and sense of personal storage with modern objec...
arhimetrics: rosa shop
RENAULT 4 ever behind-the-scenes
'horsey' by eungi kim
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