daniel libeskind: grand canal square theatre and commercial development

daniel libeskind: grand canal square theatre and commercial development


grand canal theatre, dublin, ireland
all images courtesy daniel libeskind architects



grand canal theatre, a dramatic addition to dublin’s docklands designed
by architect daniel libeskind, will open its doors for the first time to the public
tommorow.

the concept of the grand canal square theatre and commercial development
was to build a powerful cultural presence expressed in dynamic volumes sculpted
to project a fluid and transparent public dialogue with the cultural, commercial
and residential surroundings whilst communicating the various inner forces intrinsic
to the theatre and office buildings. this composition creates a dynamic urban gathering
place and icon mirroring the joy and drama emblematic of dublin itself.




the 2000 seat grand canal theatre is a landmark that creates a focus for its urban
context, specifically grand canal square, the new urban piazza at the waterfront of grand
canal harbour. the architectural concept of the theatre is based on stages: the stage of
the theatre itself, the stage of the piazza, and the stage of the multiple level theatre lobby
above the piazza. the theatre becomes the main façade of a large public piazza that has
a five star hotel and residences on one side and an office building on the other. the piazza
acts as a grand outdoor lobby for the theatre, itself becoming a stage for civic gathering
with the dramatic theatre elevation as a backdrop offering platforms for viewing. from
its rooftop terrace, the theatre offers spectacular views out over the dublin harbour.





the theatre is integrated into the commercial development by office buildings that
include 45,500 square meters of leasable office and retail space. with their twin facades,
glazed atriums and landscaped roofs, the two office blocks offer sustainable state of
the art work environments. by designing multi-story glazed atriums, the commercial
buildings integrate with the adjacent retail, residential, cultural and public space
components. three prominent entrances make the buildings accessible from grand canal
square, misery hill and from cardiff lane. although both offices are designed in the same
architectural language,each responds to its site uniquely. two grand canal square (south block),
which is adjacent to the new 2,000 seat theatre, opens up towards the square, while four
and five grand canal square (north block), in conjunction with the theatre, form a dramatic
gateway to dublin harbour.

the commercial development is expected to be complete between mid 2010 and mid 2011.






view of the theater in the evening











the opening production at the grand canal theatre will be a performance of
swan lake by the russian state ballet, featuring star soloists from the bolshoi ballet.




model of grand canal theatre


rendering of grand canal theatre



grand canal square theatre and commercial development
commission: 2004
completion: 2010
client: ramford limited, chartered land

building address: grand canal square, dublin 2, ireland

technical details:
building area (mixed use):
south office block:
21,092 sq.m (226,992 sq.ft)

theatre:
13,768 sq.m (148,171 sq.ft)
2,000+ seating

north office block:
33,320 sq.m (358,590 sq.ft)

structure:
theatre volume – stainless steel rain screen cladding panels on reinforced concrete
and steel structure with strips of high performance glazing.

theatre glass curtain – high performance glazing with exposed polyester powder coated
pre-fabricated steel box sections.

commercial buildings – low-iron unitized twin skin glazing system with geometric
ceramic frit patterns with solar / glare perforated venetian blinds and capped unitized
curtain walling with fixed blade louvers.

credits:
architect of record: mccauley daye o'connell, architects
quantity surveyor: davis langdon pks
joint venture partner: architekt daniel libeskind ag
executive architects (commercial): mcauley daye o'connell architects
project management: lafferty project management
structural engineer: arup consulting engineers, dublin
mechanical and electrical engineer: arup consulting engineers, dublin
acoustic consultant: arup acoustics
venue consultants: arup venue consulting
theatre consultant: arts team (part of rhwl architects)
architectural lighting designer: pritchard themis
fire protection consultant: michael slattery associates
facade consultants: billings design associates
cladding consultants: offices and theater boh facade: permasteelisa group
steel/glass: permasteelisa central europe
health and safety: bruce shaw partnership
contractor: john sisk & son ltd.
facade sub-contractor: permasteelisa central europe (theatre)
permasteelisa s.p.a (commercial buildings)

ridhika db
03.17.10  
7
Libeskind didn't put much thought into this one. He just wrapped his trademark graphics around a music hall. The result is like an unwelcome and hostile aircraft landed in Dublin. Totally out of place and visually about as appealing as a car wreck.
Gareth Moylan   03.18.10
Gareth, you took the words out of my mouth. its an unessicary reproduction of a previous work.
ar wilson   03.18.10
Too many architects love to hate Libeskind. I think this is a nice looking building. How can you say that he didn't put any thought into this one? You guys know that he isn't actually working through these projects from beginning to end, right? So what if his work have similar aesthetics? Granted, some spaces are nicer than others in this project but that can be said for every project. Why doesn't anyone have the same criticism for Asymptote? Hating Libeskind is like the common cold for disgruntled architects!
Ronin   03.18.10
Looks too much like the butt ugly Royal Ontario Museum in Toronto.
H. Michaels   03.18.10
It looks great from the outside, but the inside looks kind of boring.
sam   03.18.10
It's a sign of Libeskind's enormous ego that the clown actually signed (initialled) that ignorant sketch. Most architects throw out dozens of better sketches every day, But Libeskind is different; h really does think his s#@t is marmalade.
Derek D   03.23.10
I Like it. As a theatre, it functions well. The only negative - which is almost universal in venues - is the inadeqate number of toilets. Tumbs up anyway
SMc   03.23.10

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