anish kapoor: arcelormittal orbit

'arcelormittal orbit' by anish kapoor
indian born, london based artist anish kapoor's 'arcelormittal orbit' has won
the competition to design london's olympic tower for the 2012 games. it is set to
become the largest work of public art in the UK.
standing at almost 115m tall the deep red trumpet shaped tower, will give guests
a view of the london landscape. the tower, named after steel magnate and the richest
man in london, lakshmi mittal, consists of almost 1,400 tonnes of steel. said to cost
around 30 million USD, the project will be undertaken by kapoor and arup engineers.
the tower of babel was apparently a reference, according to kapoor; 'there is a kind
of medieval sense to it of reaching up to the sky, building the impossible. a procession,
if you like. it's a long winding spiral: a folly that aspires to go even above the clouds
and has something mythic about it.'
work is due to start on the steel sculpture in the next few weeks, which the mayor
of london boris johnson hopes will become a rival to paris' eiffel tower.


Ridiciolous how easy to waste 19 Mio. You only need a quite successful artist's name who might be even currently distressed by lots of other meaningful projects around the globe and later a bunch of well paid PR guys to explain the deeper meaning of the "undertaking" and it's relevant relevance ;)
An artist should better bethink himself of his actual skills and concentrate on each of his projects separately which was quite common too long ago.
In today's globalization of art to many guys rather mutate into art entrepreneurs where hundreds of brownies completing your actual work. But if you are not capable of organizing several huge projects at a time decisively and not having this certain entrepreneurial talent you go better by staying away from these "pandoric forces".
Either go and talk to Ai Wei Wei and ask him on a how-to introduction into art managment or simply stay at your giant mirror blobs where incompetence wouldn't reveal such apparently or pay an extra million on some talented designers to consider and rethink the whole completion.
Here in Germany for instance submissions of the 2nd try of the competition for the 10mio-fall-of-the-wall-monument just closed and we are awaiting a next exhibition.
In its first attempt the jury considered a "re-call" after none of hundreds of submissions has matched with the jury's standards.
Hence we could only come to the conclusion that London was quite in a hurry :-D
eiffel tower just can't be beat
Unfortunately, this proposal falls far short of what I would expect from him and his team! The overall form, looks horrendous and lacking in some major development and refinement. The organic form juxtaposed with the steel mesh like structure does not link together well and the two forms look to be fighting against each other. Though I can understand the logic to wanting to create a dynamic, minimal mesh like structure, and the structural integrity gained in the form visualised, the structure still looks way too dense and overbearing. It could definitely be made to look far more elegant and refined. I fear that time may of been a major inhibitor to this project. I also wonder how much of this was prescribed by the CAD work and generative algorithm/ code used. I understand the desire for a sculpture to be different from every angle viewed, but that should not excuse all its woeful failings that is has.
Steel is a resource that is also increasing dramatically in price. To consume 1,400 tonnes of steel, makes my eyes water in its indulgence, for something overall that services such a limited function. Art goes some way to take a precedent over functional and cost issues, but this I fear goes too far.
The overall intent seems to go against English culture, following a more American ethos of, bigger is better. England normally shines in understated beauty and harmony. This sculpture doesn't represent either of these.
To go on further, this is going to create a major headache to the engineers and its feasibility in construction. Something of this size and magnitude, is going to not only put massive pressure on construction time, but will most likely go over the budget predicted. I am also fearful of its long term structural integrity and safety. One only has to look at Thomas Heatherwick's Big Bang, to look at how a structure similar to this can go badly wrong. Causing a PR nightmare and global embarrassment to London.
I am concerned as well by how much of the success and acceptance of this design proposal was driven simply by the name Anish Kapoor, and a big PR/marketing team behind him. Lets hope what follows in the public domain, is not similar to the reaction gained when the Olympic London 2012 Logo was released.
To finish I am left wondering if this was some sort of acid inspired trip, inspired by the circus ride, "Helter Skelter":
http://www.freefoto.com/images/11/46/11_46_59---Helter-Skelter--The-Hoppings-Fun-Fair--Town-Moor--Newcastle-upon-Tyne_web.jpg
UGH
I am a fan of if work but thisssssssssss? Toatlly agree with jodiealicebeck
THERE WAS NO COMPETITION.
anish kapoor + arata isozaki: ark nova
a mobile concert hall for residents of the earthquake devastated tohoku region in japan, the structure will provide a platform for musical performances and have the capacity to hold up to 700 people.
anish kapoor: ascension in venice 2011
exploring the transience of smoke, this work creates a tangible, rising column of the traditionally immaterial substance. kapoor's artwork has been installed in the basilica di san giorgio.
anish kapoor: dirty corner
the sculptural work consists of a huge steel volume that measures 60 metres long and 8 metres high forming a long tunnel that has a goblet shaped entrance.
kastiel: uganda glass cabinet
taking form from old world voyage boxes, this glass cabinet maintains the shape and sense of personal storage with modern objec...
arhimetrics: rosa shop
RENAULT 4 ever behind-the-scenes
'horsey' by eungi kim
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