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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2060
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

an installation showcasing the lighting object’s formal variations image courtesy wästberg
the installation offered a look at the ways in which the shades could be positioned, either to diffuse light or flipped to function as containersimage courtesy wästberg
image © designboom
image © designboom
oki sato of nendoimage © designboom
installation showcasing the individual components of the w132 lampimage © designboom
each lamp is made up of eight different partsimage © designboom
the exhibition’s skeppesholmen hotel venueimage © designboom
the lamp is available in four different shade typologiesimage courtesy wästberg
image courtesy wästberg
white cone table lampimage courtesy wästberg
white cylindrical pendant versionimage courtesy wästberg
blue sphere lamp shadeimage courtesy wästberg
the simple addition of a pole transforms the table lamp into a floor lampimage courtesy wästberg