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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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explore must-see highlights of art basel paris, design miami.paris, and other standout shows and events across the city.
the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
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‘superb fairy wren’ 2010 13cm x 12cm 5cm ink, water colur, archival cotton paper, cotton thread, brass rod, timber block
‘white breasted robin’ 2010 13cm x 13cm x 6cm ink, watercolour, archival cotton paper, cotton thread, brass rod, timber block
‘race horse’ 2010 73cm x 72cm x 20 cm ink, archival cotton paper, cotton thread, copper pipe, timber block
‘white bellied sea eagle’ 2010 70cm x 140cm x 60cm ink, watercolours, archival cotton paper, cotton thread, copper pipe, timber block
‘silver gull’ 2010 50cm x 80cm x 60 cm ink, water colour, archival cotton paper, cotton thread, copper pipe, timber block
‘southern white face’ 2010 9cm x 11cm x 6 cm ink, water colour, archival cotton paper, cotton thread, brass rod, timber block
‘raven’ 2010 35cm x 80cm x 55cm ink, shellac, black archival cotton paper, cotton thread, copper pipe, timber block
‘red capped dotterel’ 2010 15cm x 9cm x 16cm ink, water colour, archival cotton paper, cotton thread, brass rod, timber block
‘budgerigar in a bell jar’ 2010 40cm x 28cm x 28cm ink, water colour, archival cotton paper, thread, brass rod, timber block, glass bell jar