
Anselm Kiefer, Sichelschnitt , 2019, Beilzeit – Wolfzeit , 2019, Die Sieben Schalen des Zorns, 2019-2020. Courtesy of the artist and Gagosian Gallery. In Anselm Kiefer – Sag mir wo die Blumen sind, Stedelijk Museum Amsterdam & Van Gogh Museum, 2025 | image by Michael Floor

Anselm Kiefer, Sag mir wo die Blumen sind (detail) , 2024. Courtesy of the artist and White Cube. In Anselm Kiefer – Sag mir wo die Blumen sind, Stedelijk Museum Amsterdam & Van Gogh Museum, 2025. image by Peter Tijhuis

Anselm Kiefer, Steigend , steigend , sinke niede, 2019. Courtesy of the artist and White Cube. In Anselm Kiefer – Sag mir wo die Blumen sind , Stedelijk Museum Amsterdam & Van Gogh Museum, 2025 | image by Michael Floor
KEEP UP WITH OUR DAILY AND WEEKLY NEWSLETTERS
the 2026 edition will move forward under kouoh’s curatorial vision, preserving and expanding her ideas while honoring her legacy.
connections: +730
through the dramatic arrangement of the containers, SpY transforms a conventional passageway into a ceremonial corridor.
connections: +900
sara shakeel talks the role of AI in contemporary art, the human impulse to materialize digital ideas, and the emergence of phygital works.
outdoor subterranean oculi, called skyspaces, will frame the shifting hues of the sky to reveal phenomena rarely visible to the naked eye.