reflective red sphere suspends from tree in gregory orekhov’s land art installation

reflective red sphere suspends from tree in gregory orekhov’s land art installation

Gravity by Gregory Orekhov visualizes world’s uncertainty

 

In Gregory Orekhov’s site-specific land art installation, Gravity, the landscape becomes a space in which the condition of the world becomes visible. The red sphere, originally associated with the ritual of celebration and the expectation of magic, is stripped of its function and returned to the landscape as a heavy, vulnerable form without foundation. Suspended by a hemp rope from a bare century-old tree, the object exists between ground and space; neither in fall nor at rest, but in a prolonged state of uncertainty. This is not balance, but resistance to the force of gravity. The video shifts the object from linear movement into oscillation, where no trajectory alters the initial condition.

reflective red sphere suspends from tree in gregory orekhov’s land art installation
all images by Nikita Subbotin – Studiolandon

 

 

Gravity installation records a state of ongoing instability

 

Dragging across the ground gives way to swinging in space, yet none of these forms becomes an exit. The human figure and the object remain bound by a shared dependence on gravity, holding them together. The red color of the sphere does not function as a decorative accent. It becomes a dense visual mass in which traces of violence, loss, and historical memory converge. The color ceases to signify celebration and begins to operate as a symptom of a time in which the tragic becomes part of the everyday background. For artist Gregory Orekhov, nature in this project does not act as a space of harmony. The tree neither saves nor supports; it merely allows the object to exist, becoming a silent witness to what unfolds. This work records a condition of the world that continues to exist without foundation and without outcome.

reflective red sphere suspends from tree in gregory orekhov’s land art installation
a red sphere is suspended from a century-old tree in a forested landscape

reflective red sphere suspends from tree in gregory orekhov’s land art installation
the installation places the object between ground and space

reflective red sphere suspends from tree in gregory orekhov’s land art installation
the sphere exists in a state of prolonged suspension

 

reflective red sphere suspends from tree in gregory orekhov’s land art installation
gravity defines the relationship between body, object, and site

gregory-orekhov-gravity-reflective-red-sphere-land-art-installation-designboom-1800-2

the landscape functions as an active setting rather than a backdrop

reflective red sphere suspends from tree in gregory orekhov’s land art installation
the human figure and the sphere share a dependence on gravity

gregory-orekhov-gravity-reflective-red-sphere-land-art-installation-designboom-1800-3

movement shifts from dragging across the ground to swinging in space

reflective red sphere suspends from tree in gregory orekhov’s land art installation
the red surface appears as a dense visual mass

reflective red sphere suspends from tree in gregory orekhov’s land art installation
the landscape bears witness to a suspended state without foundation

gregory-orekhov-gravity-reflective-red-sphere-land-art-installation-designboom-1800-4

the object remains neither falling nor at rest

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