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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
connections: +570
explore must-see highlights of art basel paris, design miami.paris, and other standout shows and events across the city.
the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
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‘complex pile’ by paul mccarthyphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘complex pile’ by paul mccarthyphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘house of treasures’ by cao feiphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘house of treasures’ by cao feiphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘house of treasures’ by cao feiphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘sacrilege’ by jeremy dellerphoto by nicholas tse; courtesy of M+, west kowloon cultural district authoritysee designboom’s coverage of this project when it was first installed at the glasgow international festival of visual art 
‘sacrilege’ by jeremy dellerphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘poetic cosmos of the breath’ by tomás saracenophoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘poetic cosmos of the breath’ by tomás saracenophoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘poetic cosmos of the breath’ by tomás saracenophoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
’emptiness is form. form is emptiness’ by choi jeong hwaphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
’emptiness is form. form is emptiness’ by choi jeong hwaphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
’emptiness is form. form is emptiness’ by choi jeong hwaphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
’emptiness is form. form is emptiness’ by choi jeong hwaphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘falling into the mundane world’ by tam wai pingphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘falling into the mundane world’ by tam wai pingphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘falling into the mundane world’ by tam wai pingphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
left: ‘falling into the mundane world’ by tam wai pingright: ‘with the wind’ by jiakun architects / liu jiakunphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
‘with the wind’ by jiakun architects / liu jiakunphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority
general view of the six giant inflatable sculptures take over the promenade at west kowloonphoto by nicholas tse; courtesy of M+, west kowloon cultural district authority












