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‘jerusalem clock’ by atar brosh, ohad banit and merav shnaps displays the hour and minute along with other important times throughout the day such as prayer
‘secular’ by sivan shoshan
‘D36’ by osnat raichman
‘parts’ by tali zichrony
‘תווהתהב’ by naomi hertz
‘digested urbanizm’ by david keller used literature from various parts of the society – including the eastern palestinian, orthodox and tourist sectors – to create a pulp he would later apply to copper vessels
‘cast in stone’ by noam bar yochai
‘tradition progress’ by etay amir is a reaction to religion in the context of contemporary culture
‘permanent temporary’ by ron yosef uses blue polythene, a material common in jerusalem due to the city’s constant development and restructuring
left: ‘shades table’ by gal lazar was made from two garbage bins that were melted and molded in to shape to symbolize the act of burning garbage bins typically seen in orthodox jewish demonstrations right: ‘sticks in stones’ by shir atar
‘splitting the difference’ by talia wiener is displayed in the basement of the abandoned hospital which was originally used to treat leprosy