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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

left: brendan austin (european artist) right: roger ballen (african artist) sub-theme: pull-and-push
left: rachel thomas (european artist) right: disturbance (african artist) sub-theme: laugh-and-cry
left: R2 (european artist) right: brandt botes (african artist) sub-theme: reason-and-madness
left: slæktskap (european artist) right: lyall coburn (african artist) sub-theme: buy-and-sell
left: anne harild (european artist) right: emeka ogboh (african artist) sub-theme: in-and-out
left: martin nicolausson (european artist) right: merwe marchand le roux sub-theme: big-and-small
left: emma löfström (european artist) right: peet pienaar (african artist) sub-theme: clean-and-dirty
left: kilian eng (european artist) right: richard hart (african artist) sub-theme: here-and-there
left: dust (european artist) right: love and hate studio (african artist) sub-theme: life-and-death
‘them and us’ packaging