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here’s what we know so far about the 2026 venice art biennale, shaped by the late curator koyo kouoh’s vision.
connections: 25
explore our monthly round up of must-see art, design, and architecture exhibitions to check out around the world.
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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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pixel cloud, close-up
pixel clouds © the artist, courtesy oh wow gallery
big drip’, 2011, fiberglas, joint compound, and paint, 48 x 96 x 8 inches © the artist, courtesy oh wow gallery
‘hiding figure’, 2011 fiberglass, gypsum, paint and shoes, 86 x 50 x 12 inches © the artist, courtesy oh wow gallery
‘curtain’, 2007 EPS foam, plaster gauze, 82.8 x 48.75 x 6.75 inches © the artist, courtesy oh wow gallery
‘mail slot’, 2008 bronze, plaster, paint, joint compound, 38 x 23.75 x 2 inches © the artist, courtesy oh wow gallery
‘vent anomaly (a)’, 2006 plaster, aluminum, paint, 18 x 20.375 x 2 inches © the artist, courtesy oh wow gallery
‘untitled’, 2009 gouache on mylar, frame: 42 x 52 1/2 inch © the artist, courtesy oh wow gallery
‘okay’, 2011 inkjet print and acrylic on canvas, 76 x 53 inches © the artist, courtesy oh wow gallery
‘oops’, 2011 inkjet print and acrylic on canvas, 51.25 x 74.25 x 1.625 inches © the artist, courtesy oh wow gallery