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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
connections: +570
explore must-see highlights of art basel paris, design miami.paris, and other standout shows and events across the city.
the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
connections: +2080

‘planetarium hamburg’ by bernd leguttky, christoph blaschke and mirko derpmannsheet of ilford multigrade paper with 40 minutes exposure time 106 x 80 cm
‘rickmer rickmers hamburg’ by garbageman werner bünning, christoph blaschke and mirko derpmann sheet of ilford multigrade paper with 40 minutes exposure time 106 x 80 cm
‘dom hamburg’ by garbageman bernd leguttky, christoph blaschke and mirko derpmann sheet of ilford multigrade with ten minutes exposure time 106 x 80 cm
‘katharinenfleet hamburg’ by garbageman werner bünning, christoph blaschke and mirko derpmann. sheet of ilford multigrade paper with 30 minutes exposure time 106 x 80 cm
‘fleetschloss hamburg’ by garbageman hans-dieter braatz, christoph blaschke and mirko derpmann sheet of ilford multigrade paper with 45 minutes exposure time 106 x 80 cm
‘kirche altenwerder’ by hans-peter strahl, christoph blaschke and mirko derpmann sheet of ilford multigrade paper with 45 minutes exposure time 106 x 80 cm‘the church is now standing in the middle of an industrial agglomeration, the parish has vanished. as you can see it is not easy to find out where the frame ends.’ -the trashcam project
‘grosse freiheit reeperbahn’ by garbageman max soller, christoph blaschke and mirko derpmann sheet of ilford multigrade paper with 40 minutes exposure time 106 x 80 cm
‘horner rennbahn hamburg’ by garbageman max soller, christoph blaschke and mirko derpmann sheet of ilford multigrade paper with five minutes exposure time 106 x 80 cm
‘self portrait of dustman roland wilhelm’ by roland wilhelm, christoph blaschke and mirko derpmann sheet of ilford multigrade paper with six minutes exposure time 106 x 80 cm
‘werner bünning takes a trashcam picture’ by mirko derpmann image captured with a fuji gw690 on fuji velvia
‘hans-dieter braatz moving the shutter’ by mirko derpmann picture taken with a fuji gw690 camera on fuji velvia