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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
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first, the user must type the name of the recipient (or their twitter ID) into the top field, the second space available for the input of a message
after the user clicks the button labeled ‘play’, and the perspective shifts as the letters begin to dance across the screen
the message written by the user falls from the sky of the alternate reality into the shape of an animal
upon first starting the game, the user is informed of how to use their keyboard as a controller for their character
in a darkened space, the animal must dodge rolling typographic made boulders
the animal moves backwards, forwards and side to side, avoiding the obstacles posed to the mini figure
four of the scenes in which the typographic animal moves through
the word-formed giraffe navigates through several peril filled environments
in the final moments of the song and game, all letter-formed figures in the screen begin to disintegrate, the characters drifting up to the space from which they once rained down
the message in its final, cryptic form may be sent through four methods or played again for clearer recognition