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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
connections: +570
explore must-see highlights of art basel paris, design miami.paris, and other standout shows and events across the city.
the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
connections: +2080

‘safe?’, 2011 pastel, colored pencil on paper 30 x 22 ¼ inches courtesy of the artist and fred torres collaborations, new york
‘get out, before he wakes’, 2011 ink, colored pencil, charcoal, graphite on paper 26 x 19 7/8 inches courtesy of the artist and fred torres collaborations, new york
‘a giant burst of light’, 2011 ink, colored pencil on paper 26 x 19 7/8 inches courtesy of the artist and fred torres collaborations, new york
’42 birkin bags’, 2012 pastel, watercolor, colored pencil on paper courtesy of the artist and fred torres collaborations, new york
‘everyone I love goes away in the end’, 2012 graphite, colored pencil, marker and pastel on paper 26 x 19 7/8 inches courtesy of the artist and fred torres collaborations, new york
‘I’m dead’, 2011 maker, colored pencil, graphite on paper 30 x 22 1/4 inches courtesy of the artist and fred torres collaborations, new york
‘you are a very bad liar’, 2011 ink, pastel, colored pencil on paper 26 x 19 7/8 inches courtesy of the artist and fred torres collaborations, new york