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here’s what we know so far about the 2026 venice art biennale, shaped by the late curator koyo kouoh’s vision.
connections: 25
explore our monthly round up of must-see art, design, and architecture exhibitions to check out around the world.
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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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the first few moments of the film feature the artist dividing the rectangular sheet of paper into four even segments
at first, the rips all seem to grow unevenly, radiating from the initial cross tear
as the rips continue, a more elaborate pattern emerges
the seemingly innumerable rips create a darkened space
in the end, all of the ripped pieces of paper are swept away by the wind