
omri revesz designs a street cinema for the VAC foundation during the venice film festival
the structure expands and adjusts to the activity being held in the pavilion, be it a conference, screening, artistic performance or spontaneous stop.
the pavilion has been designed for the V-A-C foundation settled in venice, italy, the russian contemporary art foundation, and first presented as part of space force construction, V-A-C’s latest exhibition, which reflected upon the centenary of the soviet revolution and took place during venice film festival 2017. the street cinema is a public multimedia installation that revisits the mechanisms for the direct spread of information, emerged during the early soviet period in russia, where, among other artistic practices, cinema was considered the most powerful instrument of political and social representation.

the pavilion has been designed for the V-A-C foundation settled in venice, italy
israeli designer omri revesz references the soviet ‘agit-train’ and ‘agit-cinema’, which, when the new state was torn apart by the civil war, became the most rapid and effective way to approach and unite people all over the country. the pavilion is comprised of a collapsible modular wooden structure, held together by metal elements inspired by the logic of russian constructivism. the structure expands and adjusts to the activity being held in the pavilion, be it a conference, screening, artistic performance or spontaneous stop. the curtain mechanism allows for activities happening in the space to be visible or hidden from the outside. the pavilion can be used for a variety of social and cultural purposes.

a collapsible modular wooden structure, held together by metal elements inspired by russian constructivism
during its first presentation, as part of space force construction, omri revesz’ pavilion has been used to host a performance piece by the russian artist olga jitlina, for public discussions, events and, notably, a film screening program. the film program is divided into 8 sections: battleground, festival, exhibition, school, theater, press, factory and home. each section represents a space of critical importance in early soviet russia and addresses the social, political, economic and artistic shift that marked the emergence of a new state paradigm and social building. the last section of the screening program will run from august 30th until september 10th 2017.

omri revesz’ pavilion has been used to host a performance piece, for public discussions, events and a film program

the film program is divided into 8 sections: battleground, festival, exhibition, school, theater, press, factory, home
the structure expands and adjusts to the activity being held in the pavilion

the street cinema is a multimedia installation that revisits the mechanisms for the direct spread of information

the pavilion is inspired by the logic of russian constructivism

the curtain mechanism allows for activities happening in the space to be visible or hidden from the outside

the last section of the screening program will run from august 30th until september 10th 2017

axonometric view of omri revesz’ street cinema for the V-A-C foundation

exploded axonometric view

floor plan and elevation view
designboom has received this project from our ‘DIY submissions‘ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.
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