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running until july 26th, 2026, the show marks the first time wes anderson’s archives have been publicly displayed in the UK.
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the spiral structure follows principles of fluid dynamics and thermodynamics to optimize heat distribution.
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the design centers around a sculptural turntable topped with thirty-nine individual wooden tiles that flip and shift in real time as music plays.
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the '6 pound phone case' is inspired by the rectangular brick phones of the 1980s.
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all images courtesy of dimitri bähler
thanks to a special blend of metallic salts and clay, and a special firing, iridescent and chromatic effects are created
monoliths are vertical and horizontal ceramic architectones
the volumes are based on two common human postures: standing and sitting
the stoneware has been applied with a cloud of very dry glaze in a single direction
his VPTC project was the result of a residency at
the pieces are a range of different volumes with soft and round shapes that have received a pattern transfer
the single-molded objects are balanced with an essential abstraction
the production is based on machined wooden profiles that always use the same tool, only their height and length changing
simple and graphic objects, UU exists in three dimensions that invite the user to play with it
the carved chair is a homage to swiss traditional wood carving techniques, created in collaboration with linn kandel for the
the carved chair‘s different textures represent fur, feathers or plants