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founded in london by anab jain and jon ardern, the studio turns to hypothetical worlds to build a collective future based on actionable methods.
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all these sets are built from the same spirit of colors and perspectives that run through the artist’s paintings, allowing the actors to perform within his artworks.
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the musical instruments wear bright colors that make them more alluring to look at, capturing the full form of the shape they’re borrowing.
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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
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‘kathedrale’ (cathedral) by lyonel feininger, april 1919, zinc etching after a woodcut, image courtesy bauhaus archive berlin
memorial for the ‘march heroes’ by walter gropius, 1921 (working model) image courtesy klassik stiftung weimar
‘african chair’ by marcel breuer/gunta stölzl, 1921, purchased with the support of the ernst von siemens kunststiftung, the kulturstiftung der länder and the bauhaus shop berlin photo: hartwig klappert, berlin image courtesy bauhaus archive berlin
cradle by peter keler, 1922 image courtesy klassik stiftung weimar
colour plans for the bauhaus masters’ houses in dessau by alfred arndt, 1926 ink and tempera on paper, image courtesy bauhaus archive berlin
bauhaus stage (lis beyer or ise gropius seated in the steel-tube armchair by marcel breuer) by erich consemuller 1926, gelatin silver print, image courtesy wulf herzogenrath collection