PRODUCT LIBRARY
photographed by cristóbal palma, the building is clad with dark timber boards that enclose a series of private spaces and direct views towards the crashing waves.
the main feature of the design is the huge kitchen, dining and living space that opens out to the pool and the horizon beyond.
the house consists of three separate brick volumes set above a continuous living space on the ground floor.
the renovation preserves the original masonry façade but carves out a new world inside, one which prioritizes light, space and openness.
I think I speak for most architects when I say that I would never specify any material or product that was designed by Daniel Libeskind. It would be embarrassing to have his silly ideas contaminating my project.
This sculpture may stimulate Innovation. In my opinion, best place for this sculpture is in front of a technolgy company building.
Like every single thing Libeskind does, it’s totally pretentious. From the pathetic watercolor doodle to his striving but vapid text, it underscores what a total hack he is and always has been.
i expect in any moment to transform in a robot. did not fit the space that all.
The beautifully detailed and proportioned Renaissance building in the background reinforces how incompetent Libeskind is as an architect, and how ridiculous his “wall” is. Like veverything else he does, this sculpture spoils the context and hurts the eyes.
Total rehash of the V&A. Very ugly then … still ugly now.
Please avoid the temptation to make this “useful.” It’s perfect as is. It doesn’t have to be architecture.
V&A?
Prefer Bouroullec’s Quiet Motion for bmw i more this year, for that installation makes functional interactions with people.