the estonian national museum both celebrates and pays homage to the country’s history, independence as well as its unique cultural traditions. located in the city of tartu, the brief called a 34,000 sqm building that would successfully house a collection of 140,000 objects.
the vast scheme realized by paris-based firm DGT architects challenged the initial brief by relocating the building from the proposed site to choosing a former soviet military base as the setting for the museum. this approach of adaptive reuse not only represents the history but plays an essential role in the regeneration of the area. using a sensitive implementation of the site, the national museum becomes a continuation of the airfield – its roof lifting and expanding towards ‘infinite space’ – inviting the visitor to enter into the landscape and into the heart of the museum. DGT’s proposal creates an open house for public activities – exhibition, performance, learning – a place of gathering and interaction, bringing people together to celebrate a rich and deep-rooted history.
all images © takuji shimmura
the architects decided to not use the site propose but adapt a nearby building instead
the construction of the museum should play an essential role in the regeneration of the area
DGT architects (9 articles)
citizen explores the notion of time with an experimental and experiential installation
lina ghotmeh / DGT architects chosen to develop paris' masséna district with vegetated tower
light in water by DGT architects on display at éléphant paname
DGT installs the citizen watch light is time exhibition in milan
DGT exhibits compressed time at baselworld 2014 citizen installation
baselworld 2013: frozen time by DGT architects for citizen
architecture news
ryue nishizawa's ochoquebradas house in chile photographed by cristóbal palma
#architecture
the dwelling is topped with an undulating concrete roof that references the waves crashing against the adjacent shoreline.
the dwelling is topped with an undulating concrete roof that references the waves crashing against the adjacent shoreline.
wutopia lab adds micro chinese garden to 'the hiding house' in shanghai
#architecture
volcanic rock and taihu stones in the garden emphasize the green trees and white residence.
volcanic rock and taihu stones in the garden emphasize the green trees and white residence.
oppenheim architecture mimics switzerland's hillside villages with lago maggiore retreat
#architecture
designed to span three sites that each rise above the alpine lake, the retreat celebrates unique and varied spirit of its context.
designed to span three sites that each rise above the alpine lake, the retreat celebrates unique and varied spirit of its context.
terrazzo sections + curved corners complete modernist apartment interior in vietnam
#architecture
the design reminisces about architect louis kahn’s aesthetics, especially the material sensation of terrazzo that was prevalent in saigon in the 1950s and 60s.
the design reminisces about architect louis kahn’s aesthetics, especially the material sensation of terrazzo that was prevalent in saigon in the 1950s and 60s.
I think there was a misunderstanding. The whole building is new. It wasn’t there before. It is, however, integrated in the former soviet military airfield. So yeah, it’s not soviet era architecture, which was (and sometimes still is) really ugly and brutal. The new museum building is, however, minimalist and shows the brutality of the soviet side of history.
What a brave strategy & an elegant execution.
Transforming a singularity of function, a forbidding & inaccessible structure into a social & cultural centre; a sublime ‘lantern’, seeming to glide across the snowy landscape.
Congratulations to the designer & Estonia.
What is it with Soviet era architecture – it always seems to have some imposing large dark mass hovering above your head – kind of like their government
great intervention… I would like to see how was the bulding in its origin.