international architecture studio OMA put forward their proposal for the lucas cultural arts museum (LCAM) that would’ve been sited in chicago, USA. the museum would be dedicated to the art of storytelling through a combination of three collections: illustration and storytelling art; digital art and art in motion—complemented by educational and outreach programs.
the museum project was originally planned to be realized by mad architects – announced at the end of last year – since then, the scheme has been dropped and after extensive delays, the location of chicago will no longer be considered a potential site for the scheme. the board of directors and executive leadership of the museum confirmed that california will be its location.
the horizontal plate and vertical tower will be enveloped within a dome-like membrane
‘it is a museum that aims to be porous and open. spread across the site, the museum’s program would claim a vast swath of land at the waterfront, while simultaneously appearing as a supplicant to the enormity of soldier field. tied to the ground, the building in this form is neither iconic nor civic; its generosity is thwarted by its breadth, its grandness swamped by the bombast of its neighbor.’
led by architect shohei shigematsu, OMA‘s proposal creates a vertical gallery on the site and an atrium tower that elevates the traditional, horizontal galleries that accommodate LCAM’s three collections. the tower suspends the galleries above the city, but also connects them to it. lifting the main galleries enables the site below to be preserved as a new urban park, while simultaneously providing maximum flexibility within the horizontal gallery plate itself. the scheme sees the horizontal plate and vertical tower enveloped within a dome-like membrane that expands the museum’s physical and emotional presence within the city. this membrane—a cloud of ETFE pillows—creates a sheltered, lifted public space for chicago (sky park). like a park, it is freely accessible like an urban plaza, it is a flexible territory that accommodates a range of activities and in turn, evolves into a social space that engages the public to share and create.
this membrane—a cloud of ETFE pillows—creates a sheltered, lifted public space for chicago (sky park)
the ETFE membrane is fritted to accept projections both from within and from the outside. inside the sky park, projections can be used as an integral part of larger displays and presentations. meanwhile, at the ground level, projects can transform the museum park into an outdoor or drive in cinema. the museum’s theater and lecture spaces are located at the base of the tower, allowing for separate ground level entry and expansion to the museum park at ground level. a series of escalators lead visitors up to the gallery levels and lifted sky park above. from these levels, elevators presenting views of the vertical gallery show visitors to the offices, event space and observation deck at the top of the tower. lifted, the building offers eight times the public space it occupies. the park space that surrounds the building—a flexible surface that can accommodate both grasses and parking. the museum park can be used for a range of public events and activities, casting the building as the backdrop for new programs for local residents of the neighborhoods throughout chicago.
the park can be used for a range of public events and activities, casting the building as the backdrop for new
programs for local residents
the museum is sited close to the water
lifted, the building offers eight times the public space it occupies
the museum park can be used for a range of public events and activities
at the ground level, projects can transform the museum park into an outdoor or drive in cinema
inside the sky park, projections can be used as an integral part of larger displays and presentations
model: lucas cultural arts museum (LCAM), OMA
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'the key thing will be to construct shelter where no or little technical supervision is required, and use materials that are locally available and eco-friendly,' »
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measuring almost 11-meters in length, the funnel-shaped pavilion raises questions on time, knowledge and skills.
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the sculpture’s precarious balanced form, half buried beneath the ground, half projecting into the air, demonstrates the unstable nature of the crown.
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It’s too bad the entire project (which did not include the design featured here) was not approved by the Friends of the Parks in Chicago. It was a LONG battle between the City of Chicago, Friends of the Parks, and Chicago citizens. Lucas has decided to pull the entire project from Chicago and build it in Los Angeles.
Time to develop a better version of ETFE. It’s great to have a lightweight product that insulates and provides daylight. But the health impacts of ETFE are suspect at best, primarily due to Teflon. Here’s a good overview of the associated issues related to ETFE: https://oecotextiles.wordpress.com/tag/etfe/
This is a direct takeoff on my 1994 design copyright for Capstone Vortex. Elevated. Pyramid shape ( with no top), Inside a square ( instead of a dome).
If it’s going to be moved to LA, then ETFW would not make sense.
I guess this design was meant for Chicago.