rem koolhaas on preservation festarch 2011
rem koolhaas on preservation   festarch 2011
jun 27, 2011

rem koolhaas on preservation festarch 2011

OMA’s documentation of notions of preservation image © designboom

at festarch 2011, a conference of organized by international print publication abitare, international architects and designers presented a series of lectures under the theme of ‘city and anti-city’. rem koolhaas, founder of international architecture firm OMA delivered a talk on a theme which his studio has been exploring for a number of years now, ‘preservation’. koolhaas first presented the theme at the venice architecture biennale 2010 with an extensive exhibition entitled the ‘CRONOCAOS preservation tour’, looking at this idea beyond the disciplinary boundaries of architecture, and within a larger societal context.

‘there are a number of phenomenon these days that are intersections of intensity and decreasing intensity, and that maybe preservation is one of those. you can look at this as an incredible increase in nostalgia and decrease in memory, and that is for me the field in which preservation currently takes place.‘ – rem koolhaas

rem koolhaas on preservation   festarch 2011 panel produced for the CRONOCAOS exhibition ‘preservation and modernity are not opposites. preservation was ‘invented’ as part of a groundswell of modern innovation between the french revolution and the industrial revolution in england. in a maelstrom of change, it is crucial to decide what will stay the same …‘ image © designboom

rem koolhaas on the notion of preservation in our modern world

rem koolhaas on preservation   festarch 2011 authentic vs. restored image produced by OMA / photo © designboom

koolhaas asked the audience questions like ‘why does our society continuously bring real things away and replace them with artificial things?‘ and discussed that the type of preservation which architects are currently involved in is one that is more artificial. this can be observed in our society’s ‘morbid dedication’ to preservation as he calls it. this refers to the maintenance of historic buildings or spaces that are not new. today, we often see them being used not for the purposes in which they were originally designed, thus resulting in a loss of authenticity and respect for the past…

rem koolhaas discusses authenticity and artificiality in the quest for preservation

so what does preservation do? and why is there so much world heritage? the increase of tourism is directly related to preservation and the increase in world heritage sites. ‘you would think that preservation is to save things from the economy, but actually it becomes more of a single entity,’ koolhaas states.

  • It’s hard to engage with Rem when his observations are abstract, general and theoretical and not specific. One can think of many examples of good buildings that have been preserved because of aesthetic design or solid, durable structure yet their current use is different than originally intended. But restoration for tourist dollars and for nostalgia, which drive much of the work in Spain’s colonial empire, is false and fake on many levels, agreed.

    Mort d'Urban
  • good item
    sorry about the sound quality


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