american firm REX architecture, today announced completion of the new headquarters and production studios for turkey’s preeminent fashion and media sister companies, representing the newest example of the firm’s innovative adaptive-reuse approaches to architecture. the vakko fashion center and power media center transformed the abandoned skeleton of an unfinished hotel project in istanbul to create one of the most significant new additions to turkey’s contemporary architectural landscape.

© iwan baan

the structure will serve as corporate headquarters of vakko, turkey’s preeminent fashion house, including offices, showrooms, conference rooms and auditorium spaces. the headquarters for power media, turkey’s best-known music and television network, includes television studios, radio production facilities and screening rooms.

REX architecture: vakko headquarters and power media center complete © iwan baan

REX architecture: vakko headquarters and power media center complete © iwan baan

the unfinished istanbul hotel was not the only repurposed key element of the project. REX’s adaptive-reuse expertise enabled it to modify plans from another canceled project in the united states, allowing construction to begin only four days after REX received the commission.

REX architecture: vakko headquarters and power media center complete © iwan baan

when the CEO of vakko and power media approached REX to design and construct a corporate headquarters within one year using the abandoned skeleton of an unfinished hotel, the requested design and construction timetable would normally have been unthinkable. fortuitously, the unfinished hotel had the same plan dimension, floor-to-floor height and servicing concept as REX’s design for the california institute of technology’s annenberg center, which had recently been canceled. by adapting construction documents produced for the annenberg center to the abandoned concrete hotel skeleton, REX was able to direct the start of construction just four days after vakko and power media first approached the firm.

REX architecture: vakko headquarters and power media center complete© iwan baan

REX architecture: vakko headquarters and power media center complete © iwan baanREX architecture: vakko headquarters and power media center complete entrance © iwan baan

REX architecture: vakko headquarters and power media center complete© iwan baan

REX architecture: vakko headquarters and power media center complete© iwan baan

REX architecture: vakko headquarters and power media center complete © iwan baan

REX architecture: vakko headquarters and power media center complete © iwan baan

REX architecture: vakko headquarters and power media center complete © iwan baan

REX divided the project into two structurally independent components. the ‘U-shaped’ concrete skeleton—completed by a fourth side—is dubbed the ring, and contains conventional, flexible office space. at the ring’s center, a new six-floor steel tower – named the showcase – contains unique programs, including an auditorium, showrooms, meeting rooms and executive offices, as well as all vertical circulation and restrooms. by separating the structure into these two independent components, a time-consuming forensic analysis of the existing concrete skeleton was rendered unnecessary while the structural design of the showcase was simplified.   REX architecture: vakko headquarters and power media center complete structure of unfinished hotelimage © REX architects

given only two weeks after initiating design to submit the showcase’s steel order, the firm and its engineers designed a set of steel boxes that could be assembled in myriad configurations. ultimately, space use requirements, code restrictions, and a circulation path winding from bottom to top of the tower dictated the final stacking of the boxes.

REX architecture: vakko headquarters and power media center complete   program distribution image © REX

a refined architectural image was critical to maintaining vakko/power’s public profile; yet, the clumsy structure of the abandoned hotel was impossible to hide given the project’s compressed schedule. they embraced this constraint by designing an exceptionally transparent and thin glass façade for the ring. by slumping a structural ‘X’ into each pane to increase the glass’s strength, the glass’s thickness was reduced and the need for perimeter mullions was eliminated. the resulting ethereal glass ‘saran wrap’ subtly reveals the ring’s pre-existing concrete skeleton and suggests the showcase behind. the showcase, meanwhile, is clad in mirror-glass, cloaking the steel boxes with a mirage-like exterior, and enlivening the building’s interior to kaleidoscopic effect.

project credits: location: istanbul, urkey clientes: vakko and power media architect: REX key personnel: erez ella, tomas janka, mathias madaus, david menicovich, tsuyoshi nakamoto, joshua prince-ramus, ishtiaq rafiuddin, tieliu wu consultants: ARTE, autoban, buro statik, cedetas, dora, eleksis, front, gurmen muhendislik, lamglass, norm tecnic, say yapi, STEP, superpool, cem mimarlik area: 9,100 sqm (98,000 sqf) completion: 2010 program: headquarters for a turkish fashion house—including offices, showrooms, conference rooms, auditorium, museum, and dining hall—as well as the television studios, radio production facilities, and screening rooms of its media sister-company photography: REX, iwan baan