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the new wyss museum, ammann pavilion, and erlen torhaus extend the museum’s relationship with its landscape while opening the former private park to the public.
the london space lets artists play a concert, record it, mix it and turn it into a global broadcast without leaving the building.
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shakira stadium by bjarke ingels group transforms madrid’s iberdrola music venue with temporary pavilions, recycled fabrics and 500 trees.
frida escobedo will expand MALBA beneath plaza perú, doubling the museum’s exhibition space while preserving the public square above.

entrance to veranda image © olivier amsellem
voids between columns and roof beams introduce striated natural daylight into the interior image © olivier amsellem
columns and beams create a rhythmic facade expression image © olivier amsellem
glass windows mirrors concrete structure image © olivier amsellem
columns meet roof beams at 90 degree angle image © olivier amsellem
corner detail image © olivier amsellem
concrete structure is reflected within the facade image © olivier amsellem
glass meeting the roof plane image © olivier amsellem
glass facade encloses the interior image © olivier amsellem
curves of structure reflected within glass facade image © olivier amsellem
upward view within the wrap around veranda image © olivier amsellem
(left) lighting quality within veranda (right) void between structure and glass facade images © olivier amsellem
glass skylights created by the concrete superstructure image © olivier amsellem
(left) striated shadows within the space (right) view to the sea images © olivier amsellem
(left) interior gallery spaces (right) outward views framed by concrete columns images © olivier amsellem
aerial view image © olivier amsellem
entrance under construction
roofline detail
roof with skylights
aerial of building while under construction