space saloon is an ‘educational laboratory on the move.’ through a series of collaborative hands-on projects, the group explores the many potentials of a site. the group’s projects foster engagement and build communities through their series of transdisciplinary workshops. held in the high desert of morongo valley, california, the summer 2018 workshop entitled LANDING is a collaboration between students from SCI-Arc and INDA with a group of international architects, artists, and engineers. the design-build event encouraged the designers to reveal, harness, and amplify the elements of the site through temporary pavilions.

 

virtual landscape animation by danny wills

 

 

as part of the 2018 space saloon workshop, students gained experience in a combination of analog and digital surveying methods, environmental sensing technologies, hands-on building tools, and collaborative virtual design devices. the data collected during LANDING — the first successful expedition for space saloon’s mobile educational camp — is currently being processed to develop digital landscapes to be shared ultimately with a larger public. through the development of new design tools and techniques, space saloon will continue to apply the knowledge gained to future expeditions and design camps.

 

project 1: extent

space saloon landing 
all images by daniel schwartz

 

 

extent​ is an installation that explores the spatial and visual limits of its environment. this hyper-programmed structure sits in the subtle landscape of morongo valley, california, gently landing among a field of sharp and prickly high-desert cacti. suspended between two parallel walls, each measuring 60 feet long and 12 feet tall, are a series of platforms enabling activities of rest, viewing, and play.

space saloon landing

 

 

extent​ performs as an instrument that is in constant dialogue with its context, reciprocally imprinting on and projecting to the site. the gridded bays capture, orient, and frame space in and around the surrounding canyon in an attempt to provide an exploratory base for future expeditions.’

space saloon landing space saloon landing

 

 

team leader: kyle may with julia van den hout, willis bigelow, robert prochaska, sean gaffney, christina nguyen, max harden

 

students: asya nur celik, amanda dellevigne, priscila villalpando, max maria, wendy cox, luiza de souza, pollakrit naimee, sasipa punkasem, thanapond namnanthasith, yuka sato, ramita yibmontasiri, thanjira vimonanupong, ranchana rungwatanawong, natdanai wareerinsiri, kongphob amornpatarasin, chutimon suetragulwong

 

project 2: oscilloscape

space saloon landing

 

 

the ​oscilloscape​ is both a tool for observing and reacting to the world around us. part observation deck, part resting space, part entertainment stage, this mobile structure acts as a place for measuring, describing, analyzing, and creating various wave activities. the front of the structure—used throughout the day as a meeting space, stage, and bar—produces messages and sounds to be projected and amplified through the conic volume in the rear.’

space saloon landing

 

 

oscilloscape​ is a modern take on the mobile wagons of the wild west. its ability to reconfigure its use and location makes it an ideal station for analyzing new environments and reacting to constant changes in the landscape.’

space saloon landing space saloon landing space saloon landing

 

 

team leader: hello wood (péter pozsár, fruzsi karig) with kylie white

 

students: jacqueline huang, tamara birghoffer, chinnapat asavabenya, sakaokaew jindawitchu, santhila chanoknamchai, thatsama leeumnadwong, pakjira itthisang, panchaya sonkom, praewa keereewan, chularach engchanil, tanaboon kittisrikangwan

 

installation 2: ghost house

space saloon landing

 

 

ghost house​ is an experiment in material manipulation. its form, created by suspending two glue-soaked canvas sheets over a matching pair of cubic structures, is directly dependent on the environment. the project site was chosen by studying wind patterns at various hyper-specific locations within southern california’s high-desert. over the course of a few hours, after its initial installation, the canvas froze into position, capturing a three dimensional snapshot of a specific moment in time.

space saloon landing

 

 

its outline and punctured apertures create the formal memory of a house. however, once inside, all references fade away as the landscape beyond is quietly framed through the crisp portals. it is an improbable structure; the representation of the past existing in the present–neither here nor there; the ghost of a house.

space saloon landing

 

 

artist: i stiffen thee (neal lucas hitch, martin hitch, kristina fisher)

 

students: thatsama leeumnadwong, thanjira vimonanupong, ranchana rungwatanawong, tanaboon kittisrikangwan, chutimon suetragulwong

    have something to add? share your thoughts in our comments section below.

    comments policy
    LOG IN
    designboom's comment policy guidelines
    generally speaking, if we publish something, it's because we're genuinely interested in the subject. we hope you'll share this interest and if you know even more about it, please share! our goal in the discussion threads is to have good conversation and we prefer constructive opinions. we and our readers have fun with entertaining ones. designboom welcomes alerts about typos, incorrect names, and the like.
    the correction is at the discretion of the post editor and may not happen immediately.

    what if you disagree with what we or another commenter has to say?
    let's hear it! but please understand that offensive, inappropriate, or just plain annoying comments may be deleted or shortened.

    - please do not make racist, sexist, anti-semitic, homophobic or otherwise offensive comments.
    - please don't personally insult the writers or your fellow commenters.
    - please avoid using offensive words, replacing a few letters with asterisks is not a valid workaround.
    - please don't include your website or e-mail address in your comments for the purpose of self-promotion.
    - please respect jury verdicts and do not discuss offensively on the competition results
    (there is only one fist prize, and designboom usually asks renown professionals to help us to promote talent.
    in addition to the awarded designs, we do feel that almost all deserve our attention, that is why we publish
    the best 100-200 entries too.)

    a link is allowed in comments as long as they add value in the form of information, images, humor, etc. (links to the front page of your personal blog or website are not okay). unwelcome links (to commercial products or services of others, offensive material etc. ) will be redacted. and, ... yes, spam gets banned. no, we do not post fake comments.

    PRODUCT LIBRARY

    a diverse digital database that acts as a valuable guide in gaining insight and information about a product directly from the manufacturer, and serves as a rich reference point in developing a project or scheme.

    architecture news