slated for completion in 2018, steven holl architects has been commissioned to expand the chinpaosan necropolis situated along the coast 40 minutes outside of taipei. the LEED platinum building will serve as a new arrival hall with a pavilion for 150,000 ashbox sites adding to the existing 10,000, in addition to a 21-room hotel, restaurant, ceremonial chapel, auditorium, two small museums, and an adjoining 5,000 seat amphitheater. altogether, the extension will be capable of hosting up to 1,000 people on ceremonial occasions as well as house 50 buddhist monks.
the ocean pavilion is composed of spheres cast in white concrete sitting over a reflective sheet of water
image © hao chen (also first image)
the architects explored over 30 schemes to determine the best siting and strategy to house the new program. the solution lay in an ancient symbol present throughout the history of every religious creed and ideology, the circle. stemming from a watercolor painting of intersecting circles, the idea of formed spaces with similar properties and the resultant circulation between and through the nodes proved to be the most appropriate approach. circles soon revolved into spheres which made for an intriguing volumetric overlap throughout the procession of the structure. to give context to each sphere, a regular rectangular box juts out over the sloping landscape- a thin sheet of water veils the entire surface creating reflections of the sky above that seemingly float the spheres in the air and tie into the distant ocean’s horizon.
image © hao chen
the forms suggest pure geometries when reflected in the surrounding pools
image © hao chen
the hotel exhibits a juxtaposing nature to the oceanic pavilion which is composed of white concrete and black granite floors. the arrival space instead occupies the remainder of the lot and extruded four stories, partially embedded into the hillside, with spherical voids subtracted from the more traditional construction. the complex aims to exceed the highest energy-use benchmarks established by leed as well as local taiwanese regulations. the water over the oceanic pavilion serves the auxiliary purpose of cooling the matrix of pvc cells that sit a few inches under its surface, naturally cooling the system which increases efficiency by 20%. wind power is harnessed to additionally help power the entire building. additionally, a geothermal heat exchange system under the ground slab helps naturally maintain internal temperatures while rain water is collected to be used as grey water throughout.
the hotel structure stretches over four stories inhabiting the extents of the site
image © hao chen
natural light is brought it at the intersection of the spheres
image © hao chen
image © hao chen
image © hao chen
image © hao chen
image © hao chen
aerial view of the complex
image © hao chen
architecture in taiwan (70 articles)
shen ting tseng architects tops 'floating' pavilion in taipei with 320 box kites
#architecture
MAYU architects+ installs feather-like façade to church in taiwan
#architecture
KC design studio lights up townhouse with glazed openings in taiwan
#architecture
steven holl (56 articles)
steven holl conceives cloud-like cofco cultural complex for shanghai
#architecture
steven holl explores geometry inside 'ex of in house' in new york
#architecture
the university of iowa's new visual arts building by steven holl nears completion
#architecture
architecture news
Y pavilion in finland reveals the possibilities of wood in modern construction
#architecture
measuring almost 11-meters in length, the funnel-shaped pavilion raises questions on time, knowledge and skills.
measuring almost 11-meters in length, the funnel-shaped pavilion raises questions on time, knowledge and skills.
GKA's iron ring sculpture represents the intimate relationship between the medieval monarchies
#architecture
the sculpture’s precarious balanced form, half buried beneath the ground, half projecting into the air, demonstrates the unstable nature of the crown.
the sculpture’s precarious balanced form, half buried beneath the ground, half projecting into the air, demonstrates the unstable nature of the crown.
ramón esteve conceives sprawling valencia home as a continuous, tiered balcony
#architecture
the horizontal form of the house extends across the landscape, providing a stark contrast to the vertical composition of the tall pine trees.
the horizontal form of the house extends across the landscape, providing a stark contrast to the vertical composition of the tall pine trees.
interview with spanish architect josé maría sánchez garcía at milano arch week 2017
#architecture
'the future belongs to students, and somehow professors must manage to learn from them, and the new possibilities and technologies they are open to.'
'the future belongs to students, and somehow professors must manage to learn from them, and the new possibilities and technologies they are open to.'
I thought this was interesting, with shades of Wright, Kahn, Saarinen. It seems the world’s dead can live much better than many…