venice architecture biennale 2010 preview: berger&berger
‘ça va, a prefabricated movie theater’ by berger&berger all images courtesy of bergerberger photographer: guillaume ziccarelli
as part of the 12th international architecture biennale in venice, french duo cyrille berger and laurent p. berger of berger&berger will exhibit ‘ça va (a prefabricated movie theatre)’ at the arsenale. the installation plays with the effects of dissolving the architectural object into a fictional system while simultaneously exploring models of representation found in the cinema, the theatre auditorium, and the museum gallery.‘with this project we assert the autonomy of the object’s own architecture, as being more than just a link, or an interface between the spectator and the projected works. rather, imposes itself as a pure presence: that of a visual and acoustic environment. it is a solid piece of architecture, and creates a new interior environment formed through the transformation of existing acoustic effects in basic theatre design. the piece is an architectural structure that operates through the definition of an interior space, as it modifies the exterior.’ -berger&berger
exterior view
capable of seating an audience of 80, the theatre’s morphology obeys the rules and physical deformations of acoustic composition. the design avoids putting two partitions parallel to one another, resulting in a fragmented, crystallized form with characteristics similar to a primitive cave. constructed from alucobond sheets (an aluminum sandwich with a polymer core), the plates are grooved for folding, then bolted together.
dimly lit with carefully placed strips of light, the faceted faces on the interior reflect varied shades of blue, providing a graphically dynamic backdrop to the projected screen. created by invited artists, the selected works of film, video and sound installation will not necessarily focus on a common ‘theme’ but offer ‘moments’ ranging from the notion of space, of fictional narrative, of architecture and temporality.
entrance
interior view
stage
seating
screen
exit
seam detail
wire frame
site plan
site section
(top) section (bottom) side elevation
(top) section (bottom) back elevation
floor plan
roof plan
venice architecture biennale 2010 (69 articles)
OMA to restore 16th century venetian palazzo into department store
kazuyo sejima: venice architecture biennale 2010 closing ceremony
mark pimlott and tony fretton: piazzasalone
atelier bow wow at venice architecture biennale: part two
croatia's floating pavilion for venice architecture biennale
tom sachs at venice architecture biennale 2010
architecture news
RAA sets spiral family house with roof garden on awaji island in japan
#architecture
the clients requested 'a house that grows along with the family', prompting the architects to re-think the concept of the ideal living space.
the clients requested 'a house that grows along with the family', prompting the architects to re-think the concept of the ideal living space.
olson kundig's rio house in brazil is a remote rainforest retreat away from city life
#architecture
the architects sought to design a home that would be as small as possible within its tropical jungle setting.
the architects sought to design a home that would be as small as possible within its tropical jungle setting.
1+1>2 architects tops 'mother's house' in vietnam with thatched roof canopy
#architecture
surrounded by natural trees and other vegetation, the property has been designed to exist in harmony with the bucolic landscape.
surrounded by natural trees and other vegetation, the property has been designed to exist in harmony with the bucolic landscape.
k-studio transforms derelict wine factory into seaside hotel along the coast of greece
#architecture
k-studio worked to emphasize the raw materiality of the site, avoiding the introduction of any alien elements or materials.
k-studio worked to emphasize the raw materiality of the site, avoiding the introduction of any alien elements or materials.
I think the transparency of the seating was exactly the point: it looks like a theater because it IS a theater. If it didn’t resemble what it was, there would be no consistency or coherency between the architectural object and its program.
i know these guys are not formalists, so i wouldn’t expect them to have the most resolved form, but i think the goal of creating a “pure presence” is not achieved, because the architectural object is too recognizable. what i mean is, we see very clearly that this is a theater with stadium seating. when there is a visual bother, it becomes impossible to attain a “pure presence.” im not sure what the curator sought in this commission.