Wedge-shaped Urnes’ World Heritage Center subtly cuts into Norwegian landscape

Wedge-shaped Urnes’ World Heritage Center subtly cuts into Norwegian landscape

The building appears as if it cuts into the topography, forming an accessible roof that subtly blends into its surroundings.

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unveiling world heritage center in norway

 

‘Urneskilen’ is the winning proposal for the new World Heritage Center as part of Urnes Stave Church in Norway. Located between the harbor and the millennium-old church, the project follows the shape of its steep triangular site. By lifting up one corner of the sloping site, the design sees the result of a wedge-shaped wooden building appearing as if it cuts into the topography.

 

With this gesture, an accessible roof is formed that subtly blends into the surroundings, all the while respecting and comprehending Urnes’ characteristic landscape and cultural heritage. Meanwhile, the triangular shape of the construction is oriented in a way that optimizes breathtaking views toward the fjord to the west and the apple grove to the south.

wedge-shaped urnes' world heritage center subtly cuts into norwegian landscape
The World Heritage Center rises up from the ground as a welcoming gesture to the visitors

All images by Aesthetica Studio and Aleksandre and Ghuladze 

 

 

the landscape and the cultural heritage

 

Among 124 competitors, the winning proposal for the new museum and visitor center for Urnes Stave Church stood out by the design team of Christian Brink (A.C.B.), Lipinski Architects, Tobias Laukenmann. Integrated into the steep slope, the architects sought to give great respect to the cultural heritage and nature. With this in mind, they opted for a horizontal silhouette that delivers an excellent counterpoint to the vertical expression of the Stave Church without overshadowing it. Construction-wise, they also pushed in the facade to give a clear entrance point, enabling the overhanging roof to provide a covering for the restaurant’s outdoor serving area.

 

For the ‘Urneskilen’, the design team selected timber to complete the inside and outside, forming a strong visual connection with the traditional stave churches. The museum is intended to be built with locally harvested wood and resources which will give it a very low carbon footprint.

wedge-shaped urnes' world heritage center subtly cuts into norwegian landscape
The World Heritage Center emerges as a subtle horizontal cut in the landscape and subordinates to the old Stave Church on top of the hill
urne-world-heritage-center-urneskilen-norway-designboom-21800
a calm viewing point and destination on the pathway to the stave church
wedge-shaped urnes' world heritage center subtly cuts into norwegian landscape
Discreetly placed in the landscape to not overshadow the Stave Church
urne-world-heritage-center-urneskilen-norway-designboom-1800
the building welcomes its visitors with a warm interior palette as it opens up towards the view of the fjord and mountains
wedge-shaped urnes' world heritage center subtly cuts into norwegian landscape
Siteplan showing the arrival situation

 

 

project info:

 

Project Title: Urneskilen
Architecture: Christian Brink (founder of A.C.B.), Lipinski Architects and Tobias Laukenmann

Location: Urnes, Norway

Size: Approx. 900 square-meters

Client: Fortidsminneforeningen

Photography: Aesthetica Studio and Aleksandre and Ghuladze 

 

 

designboom has received this project from our ‘DIY submissions‘ feature, where we welcome our readers to submit their own work for publication. See more project submissions from our readers here.