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after paris and new york, the evolving sound installation arrives in athens, where water, porcelain, architecture, and the weather become part of the composition.
the swiss artist turns industrial mesh and raw concrete into a temporary painting for audemars piguet contemporary, shaped by architecture, movement and the changing city.
prada galleria brings retail, pradasphere, marchesi 1824 and fondazione prada together inside milan’s galleria vittorio emanuele ii.
naïve my love: ukrainian folk art of the 20th century brings together paintings, textiles, decorative objects, and other works gathered through years of research across ukraine.
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‘cubic meter table’ 2006 huali wood 13 pieces each 100x100x100cm © FAKE studio
‘table with three legs’ 2006 table from the late ming or early qing dynasty (1368 – 1911) 116x116x116cm © FAKE studio
‘bowl of pearls’ 2006 porcelain, freshwater pearls each h.43cm, o100cm © FAKE studio
‘map of china’ 2004 tieli wood from dismantled temples of the qing dynasty (1644-1911) h.51cm, o200cm © FAKE studio
‘coca cola vase’ 1997 vase from the tang dynasty (618-907) and paint 24cm, o18cm © FAKE studio
‘snake ceiling’ 2009 backpacks h.40 x d.900cm mori art museum ‘ai weiwei: according to what?’ photo: watanabe osamu photo courtesy:
‘chandelier’ 2009 glass crystals, lights, metal 600x450x225cm mori art museum ‘ai weiwei: according to what?’ photo: watanabe osamu photo courtesy: mori art museum
mori art museum ‘ai weiwei: according to what?’ photo: watanabe osamu photo courtesy: mori art museum
mori art museum ‘ai weiwei: according to what?’ photo: watanabe osamu photo courtesy: mori art museum
mori art museum ‘ai weiwei: according to what?’ photo: watanabe osamu photo courtesy: mori art museum