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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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explore must-see highlights of art basel paris, design miami.paris, and other standout shows and events across the city.
the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
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the set, with the face of revolutionary jean-paul marat swung back to reveal an interior set image © bregenzer festspiele / karl forster
detail view image © bregenzer festspiele / karl forster
an oversized book to stage right is the site of performance and unusual lighting image © bregenzer festspiele / karl forster
full view of the stage on lake constance in bregenz, austria image © bregenzer festspiele / karl forster
a choreographed performance atop the statue’s head image © bregenzer festspiele / karl forster
view of stage base, during a rehearsal image © bregenzer festspiele / karl forster
performance view image © bregenzer festspiele / karl forster
set, light, sculpture, and shadow work together image © bregenzer festspiele / karl forster
the stage by night, lit in colours reminiscent of the french flag image © bregenzer festspiele / karl forster
additional view image © bregenzer festspiele / karl forster
additional view image © bregenzer festspiele / karl forster
a performer rappels between parts of the set image © bregenzer festspiele / karl forster
an oversized oval frame provides a site for acrobatic performance during the opera image © bregenzer festspiele / karl forster
3D computer rendering of the structural framework of the set image © bregenz festival / simon wimmer
3D rendering of set image © bregenz festival / simon wimmer
constructing the figure of jean-paul marat image © bregenz festival / dietmar mathis
full aerial view of the theatre during construction of the set image © bregenz festival / dietmar mathis