angela ellsworth: seer bonnets a continuing offense
a seer bonnet image © designboom
angela ellsworth is an american multidisciplinary artist whose paintings, drawings, installations and performances explore the female body in its various contexts and constraints. her work considers subjects such as physical fitness, endurance, social ritual, religious tradition, performance art and american colonial history. ellsworth’s ‘seer bonnets: a continuing offense’ (2009-2010) refers to her rejected mormon heritage presented through series of antiquated pioneer women’s bonnets, constructed out of thousands of pearl-tipped corsage pins embedded into fabric with their points directed inwards. the small, fetish-like objects not only refer to the tradition of craft work in the home – women’s work – but also stand as disembodied memorials to the lives suffering cruelty, submission and control.
‘seer bonnets: a continuing offense’ is currently being exhibited as part of the 17th biennale of sydney.
decorative emblems are integrated into the bonnets image © designboom
detail of the corsage pins image © designboom
image © designboom
full view of a seer bonnet image © designboom
image © designboom
installation view of ‘seer bonnets: a continuing offence’ at the biennale of sydney image © designboom
seer bonnet image © designboom
seer bonnet (detail) image © designboom
up close of the pleats image © designboom
view of the tens of thousands of pins used to construct the bonnets image © designboom
image © designboom
all of the corsage pins are arranged to point inwards image © designboom
side view of one of the bonnets decorative detail image © designboom
image © designboom
image © designboom
detail of the ‘ribbons’ hanging down from each bonnet image © designboom
detail image © designboom
side view image © designboom
installation view image © designboom
biennale of sydney 2010 (11 articles)
shen shaomin: bonsai series
brett graham: weapons of mass destruction
paul mccarthy: ship of fools, ship adrift 2
cai guo qiang: inopportune
louise bourgeois at the biennale of sydney 2010
peter hennessey: my hubble
art news
edoardo tresoldi rebuilds a ruin at arte sella in simbiosi outdoor installation
#art
simbiosi will see nature slowly grow on it, defining a new architecture, becoming part of the arte sella fabric and ultimately blending with the park.
simbiosi will see nature slowly grow on it, defining a new architecture, becoming part of the arte sella fabric and ultimately blending with the park.
romain veillon travels across europe to photograph fresco paintings in abandoned buildings
#art
the series, titled 'the imaginary museum', shows intricate paintings alongside heaps of rubble and cracks in the walls.
the series, titled 'the imaginary museum', shows intricate paintings alongside heaps of rubble and cracks in the walls.
klaus littmann transforms austrian football stadium into native central european forest
#art
almost 300 trees have been carefully installed on the existing pitch.
almost 300 trees have been carefully installed on the existing pitch.
images reveal evolution of hokusai's 'great wave' when he was 33, 44 and 46 years old
#art
a series of archival images documents an evolution of hokusai’s 'the great wave off kanagawa', one of the world’s most celebrated works of art.
a series of archival images documents an evolution of hokusai’s 'the great wave off kanagawa', one of the world’s most celebrated works of art.
i like the ideas but…. hate those displaying box things !! 🙁 they make the works ugly! Why not change them to more simple and transparent like glass ones?
Brilliant. So slyly complex and seductive, and that the overall work borders on banal makes it even more so. Can death be caused by millions of minute pin pricks? Iron Maiden vs. Bonnets of Pain? Is it a work of obsessive/compulsive craftyness or soothing repetitive therapy? Is it more fun to make, wear or view? Does it matter?
very original
I am really intrigued by this. It is uncomfortable but beautiful and intricate. It is an art piece that can be understood on some level by anyone, one does not need to have taken art history or philosophy of art to understand it. ( I have a thorough dislike of purely conceptual art)
One question I would love to have answered………………..where on earth did she find all those pins?