bindis and the indian artist bharti kher
 
bindis and the indian artist bharti kher bindis and the indian artist bharti kher
feb 10, 2009

bindis and the indian artist bharti kher

‘the XI hour’, 2009

the term bindi is derived from bindu, the sanskrit word for a dot or a point, and also carries the meaning of the numeral zero. the bindi in india is traditionally a mark of pigment applied to the forehead and is associated with the hindu symbol of the third eye. when worn by women in the customary color of red, it is a symbol of marriage. in recent times it has become a decorative item, worn by unmarried girls and women of other religions as well. today’s bindis are commercially manufactured and have been transformed into stick-on vinyl, disposable objects and a secular, feminine fashion accessory. bharti kher uses the bindi as a central motif in her work, transforming the surfaces of both sculptures and paintings to connect disparate ideas.

‘the nemesis of nations’, exhibited in ‘indian highway’ at serpentine gallery, london, 2008/2009, bindis on fiberglass

detail of bindis in ‘the nemesis of nations’

kher uses the ready-made bindi as a central motif of her practice. this tiny decoration is used as a means of transforming objects and surfaces. her use of the bindi brings to her art a range of meanings and connotations across historical and contemporary periods. she is known for her menagerie of resin-cast animals, which are covered with the bindi, and she also uses the bindi to make large, wall-based panels. these sensual abstract surfaces may be described as swirls of contrasting colored dots and shapes. when not working with the bindi, kher’s practice encompasses digital photography and sculptural works that continue to explore her interest in kitsch and popular consumer culture. in kher’s work, the bindi transcends its mass-produced diminutiveness becomes a powerful stylistic and symbolic device, creating visual richness and allowing a multiplicity of meanings.

‘I’ve seen an elephant fly’, 2002 life-size of a baby elephant, fiberglass and bindis

detail of bindis in ‘I’ve seen an elephant fly’

view of the exhibition ‘an absence of assignable cause’ in 2007 at jack shainman gallery, new york www.jackshainman.comright: ‘the skin speaks a language not its own’, 2006 life size of an elephant, fiberglass and bindis

the making of ‘the skin speaks a language not its own’ bharti kher’s studio view, photo © anup sood

‘an absence of assignable cause’, 2007

detail of bindis in ‘an absence of assignable cause’

the making of the ‘an absence of assignable cause’ sculpture

view of the exhibition ‘chalo! india: a new era of indian art’ at the mori art museum in tokyo, 2008/2009bharti kher was born in 1969 in london and was educated in painting and design at newcastle and middlesex polytechnics. since 1993, she lives and works in new delhi, india.

bharti kher’s work is part of two current exhibitions: ‘chalo! india: a new era of indian art’ at the mori art museum, tokyo, japan it runs until 15.03.2009 and ‘indian highway’ at the serpentine gallery, london, UK it runs until 22.02.2009.

  • An amazing art form “designs created by Bindia”, I wonder why I did not think of this before. I do mosaic designs and have thought of every possible medium but to use but this. I too want to do something different that usual.

    Mridula Pattil says:

have something to add? share your thoughts in our comments section below.
all comments are reviewed for the purposes of moderation before publishing.

comments policy
LOG IN
designboom's comment policy guidelines
generally speaking, if we publish something, it's because we're genuinely interested in the subject. we hope you'll share this interest and if you know even more about it, please share! our goal in the discussion threads is to have good conversation and we prefer constructive opinions. we and our readers have fun with entertaining ones. designboom welcomes alerts about typos, incorrect names, and the like.
the correction is at the discretion of the post editor and may not happen immediately.

what if you disagree with what we or another commenter has to say?
let's hear it! but please understand that offensive, inappropriate, or just plain annoying comments may be deleted or shortened.

- please do not make racist, sexist, anti-semitic, homophobic or otherwise offensive comments.
- please don't personally insult the writers or your fellow commenters.
- please avoid using offensive words, replacing a few letters with asterisks is not a valid workaround.
- please don't include your website or e-mail address in your comments for the purpose of self-promotion.
- please respect jury verdicts and do not discuss offensively on the competition results
(there is only one fist prize, and designboom usually asks renown professionals to help us to promote talent.
in addition to the awarded designs, we do feel that almost all deserve our attention, that is why we publish
the best 100-200 entries too.)

a link is allowed in comments as long as they add value in the form of information, images, humor, etc. (links to the front page of your personal blog or website are not okay). unwelcome links (to commercial products or services of others, offensive material etc. ) will be redacted. and, ... yes, spam gets banned. no, we do not post fake comments.

PRODUCT LIBRARY

a diverse digital database that acts as a valuable guide in gaining insight and information about a product directly from the manufacturer, and serves as a rich reference point in developing a project or scheme.

art news

×
keep up with our daily and weekly stories
491,173 subscribers
- see sample
- see sample