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happening now! ISE 2026 showcases how high-performance sound and smart technologies transform residential spaces into stress-reducing environments.
here’s what we know so far about the 2026 venice art biennale, shaped by the late curator koyo kouoh’s vision.
connections: 25
explore our monthly round up of must-see art, design, and architecture exhibitions to check out around the world.
connections: +180
the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
connections: +590

‘safe?’, 2011 pastel, colored pencil on paper 30 x 22 ¼ inches courtesy of the artist and fred torres collaborations, new york
‘get out, before he wakes’, 2011 ink, colored pencil, charcoal, graphite on paper 26 x 19 7/8 inches courtesy of the artist and fred torres collaborations, new york
‘a giant burst of light’, 2011 ink, colored pencil on paper 26 x 19 7/8 inches courtesy of the artist and fred torres collaborations, new york
’42 birkin bags’, 2012 pastel, watercolor, colored pencil on paper courtesy of the artist and fred torres collaborations, new york
‘everyone I love goes away in the end’, 2012 graphite, colored pencil, marker and pastel on paper 26 x 19 7/8 inches courtesy of the artist and fred torres collaborations, new york
‘I’m dead’, 2011 maker, colored pencil, graphite on paper 30 x 22 1/4 inches courtesy of the artist and fred torres collaborations, new york
‘you are a very bad liar’, 2011 ink, pastel, colored pencil on paper 26 x 19 7/8 inches courtesy of the artist and fred torres collaborations, new york