![cultural-gate-to-japan-designboom-20](https://static.designboom.com/wp-content/uploads/2020/02/cultural-gate-to-japan-designboom-20.gif)
‘fireworks for another world that never came’ by sayaka shimada
![cultural-gate-to-japan-designboom-14](https://static.designboom.com/wp-content/uploads/2022/02/cultural-gate-to-japan-designboom-14-1.jpg)
capture from +A+, ‘the sigh of eels’ by dorita takido, image by sho tanitsu
![cultural-gate-to-japan-designboom-16](https://static.designboom.com/wp-content/uploads/2022/02/cultural-gate-to-japan-designboom-16.jpg)
one of the works in +A+, enoshima engi x saeko ehara ‘hope’ – with thanks to kunihiko aihara, enoshima shrine chief priest. ‘enoshima engi’ owned by enoshima shrine
![cultural-gate-to-japan-designboom-15](https://static.designboom.com/wp-content/uploads/2022/02/cultural-gate-to-japan-designboom-15.jpg)
capture from +A+ ‘sealed aspect’ by hiroaki oishi + minori nagashima
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in less than a year, what started as a personal artistic project quickly grew into show-stopping collaborations for physical iterations in cities like jeddah and miami.
the honesty bar installation presents knötti, an alcohol-free drink made from local waters, german hops, and invasive japanese knotweed.
connections: +390
the staircase is inclined at a 5-degree angle — enough to be noticeable but not immediately obvious, creating a sense of doubt.
andrés reisinger brings his billowing pink 'take over' installation to hourglass cosmetics' new york city popup.
connections: +1240