dragon boats inspire WUA studio and sordo madaleno’s installation at chinese art festival

dragon boats inspire WUA studio and sordo madaleno’s installation at chinese art festival

WUA Studio and Sordo Madaleno unveil Floating Boats

 

Emerging London architecture practice WUA Studio, in collaboration with Sordo Madaleno architects, reveals an installation titled Floating Boats at the Art Field Nanhai Guangdong 2024 festival in Foshan, China. Rooted in the personal history of WUA Studio’s founder Shawn Shaobo Wu, this piece draws inspiration from dragon boat racing and the historical Silkworm House—a two-story riverbank structure integral to the regional mulberry dike fishpond tradition. The design transforms this heritage into a sensory experience, aligning with Be Like Water, the festival’s theme, which also includes contributions by Sou Fujimoto and Ma Yansong. The installation unfolds across three distinct levels, each representing a different state of being.

dragon boats inspire WUA studio and sordo madaleno’s installation at chinese art festival
all images by Kong Jinquan, unless stated otherwise

 

 

reinterpreting chinese ancient water village traditions

 

The London-based team of WUA Studio together with the Mexican architects Sordo Madaleno reinterpret the ancient water village traditions of China through Floating Boats. On the ground floor of this structure, dragon boats rest underwater, symbolizing dormancy and the preservation of their wooden forms during the off-season. This enclosed space evokes an archaeological site, emphasizing the harmony between crafted utilities and nature. The first level transitions to a stage of anticipation and calm, reflecting the moments of stillness before a race. Finally, on the second floor, lightweight boats appear to skim across water, suspended by tensile threads. This dynamic illusion captures the elegance and speed of dragon boat racing, directing the gaze skyward towards light and motion.

dragon boats inspire WUA studio and sordo madaleno’s installation at chinese art festival
WUA Studio with Sordo Madaleno architects reveal Floating Boats at the Art Field Nanhai Guangdong 2024

 

 

the piece is part of the Art Field Nanhai Guangdong 2024 festival

 

Through its textured and ephemeral design, through Floating Boats, WUA Studio and Sordo Madaleno transform the Silkworm House into a spiritual vessel that reimagines the relationship between place and memory. Dragon boats hold profound cultural meaning, symbolizing communal effort, spiritual connection, and emotional resonance. The installation encapsulates these values, incorporating natural elements within a geometric structural grid. Floating Boats is part of the Art Field Nanhai Guangdong 2024 festival, which features 95 projects and over 200 artworks by 194 artists from 30 countries.

dragon boats inspire WUA studio and sordo madaleno’s installation at chinese art festival
the installation draws inspiration from dragon boat racing and the historical Silkworm House

dragon boats inspire WUA studio and sordo madaleno’s installation at chinese art festival
aligning with the theme of the festival, Be Like Water | image by Tian Fangfang

dragon boats inspire WUA studio and sordo madaleno’s installation at chinese art festival
the installation unfolds across three distinct levels | image by Zhang Jing

dragon-boat-racing-wua-studio-sordo-madaleno-installation-chinese-art-festival-designboom-1800-03

lightweight boats appear to skim across water

dragon boats inspire WUA studio and sordo madaleno’s installation at chinese art festival
Floating Boats transforms the Silkworm House into a ‘spiritual vessel’ | image by Zhang Jing

dragon-boat-racing-wua-studio-sordo-madaleno-installation-chinese-art-festival-designboom-1800-01

each floor represents a different state of being | image by Tian Fangfang

dragon boats inspire WUA studio and sordo madaleno’s installation at chinese art festival
dragon boats symbolize communal effort, spiritual connection, and emotional resonance | image by Tian Fangfang

dragon boats inspire WUA studio and sordo madaleno’s installation at chinese art festival
blending natural elements with a geometric structural grid | image by Tian Fangfang

dragon-boat-racing-wua-studio-sordo-madaleno-installation-chinese-art-festival-designboom-1800-02

on the ground floor of this installation, dragon boats rest underwater | image by Tian Fangfang

 

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this dynamic illusion captures the elegance and speed of dragon boat racing | image by Zhang Jing
this dynamic illusion captures the elegance and speed of dragon boat racing | image by Zhang Jing
the boats are suspended by tensile threads | image by Zhang Jing
the boats are suspended by tensile threads | image by Zhang Jing
directing the gaze skyward towards light and motion
directing the gaze skyward towards light and motion
reimagining place-memory and cultural significance
reimagining place-memory and cultural significance
blending natural elements with a geometric structural grid | image by Tian Fangfang
blending natural elements with a geometric structural grid | image by Tian Fangfang
a contemplative and transformative experience | image by Tian Fangfang
a contemplative and transformative experience | image by Tian Fangfang
the first level transitions to a stage of anticipation and calm | image by Tian Fangfang
the first level transitions to a stage of anticipation and calm | image by Tian Fangfang
sketch of the installation by WUA Studio and Sordo Madaleno
sketch of the installation by WUA Studio and Sordo Madaleno

project info:

 

name: Floating Boats

architects: WUA Studio | @wuastudio, Sordo Madaleno | @sordo_madaleno

location: Nanhai District, Foshan City, Guangdong, China

client: People’s Government of Nanhai District, Foshan City
dates: Until 12 February 2025

 

curatorship: Hubart

project leaders: Shawn Shaobo Wu (WUA), Fernando Sordo Madaleno (SMA)

team members: Jing Wang (WUA), Tamara Muñoz (SMA), Jaime Sol (SMA)

construction: Ground floor and first level: Foshan Ruisiao Space Design; second level: Yilian Beijing Culture and Exhibition

photography: Zhang Jing, Tian Fangfang | @tianfangfang2019, Kong Jinquan 

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