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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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explore must-see highlights of art basel paris, design miami.paris, and other standout shows and events across the city.
the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
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kimbembele ihunga detail, 1994. paper, paperboard, plastic, and other various materials, 130 × 185 × 320 cm. caac – the pigozzi collection, geneva. © bodys isek kingelez / photo: maurice aeschimann. courtesy caac-the pigozzi collection
kimbembele ihunga, 1994, same as above
stars palme bouygues, 1989. paper, paperboard, and other various materials, 100 × 40 × 40 cm. van lierde collection, brussels. vincent everarts photography brussels
stars palme bouygues detail, same as before 
paris nouvel, same as before
africanisch, 1994. paper, paperboard, plastic, and other various materials, 50 × 57 × 61 cm. private collection, paris. photograph by kleinefenn
ville fantôme, 1996. paper, paperboard, plastic and other various materials, 120 × 570 × 240 cm. caac – the pigozzi collection, geneva. © bodys isek kingelez / photo by maurice aeschimann. courtesy caac – the pigozzi collection
ville fantôme detail, same as before

ville de sète 3009 detail, same as above
nippon tower, 2005. paper, paperboard, plastic, and other various materials, 67 × 34 × 22 cm, irreg. courtesy aeroplastics contemporary, brussels. vincent everarts photography brussels
