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here’s what we know so far about the 2026 venice art biennale, shaped by the late curator koyo kouoh’s vision.
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explore our monthly round up of must-see art, design, and architecture exhibitions to check out around the world.
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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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additional view of ‘quell’
‘lure’, 2011 crow feathers and mixed media in an antique mahogany cabinet 159 x 56 x 55 cm
the movement of the feathers in ‘lure’ make the piece a lively work
‘yearn’, 2011 mixed media with mallard speculum feathers in antique mahogany cabinet 46 x 51 x 23 cm
views of the quill-filled drawer both opened and closed
detailed view of ‘yearn’
‘guile’, 2011 mixed media with pigeon and dove feathers in antique black cabinet on black table 67 x 71 x 39 cm
a view of the precise flow of feathers in the curve of ‘guile’
‘seer’, 2011 mixed media with crow feathers in antique mahogany cabinet on black table 101 x 63 x 63 cm
‘caché’, 2011 mixed media with pigeon tail feathers and antique trunk. 53 x 64 x 39 cm
detailed view of ‘caché’