remembering georg baselitz

 

The art world mourns the passing of Georg Baselitz (1938–2026), a defining force in postwar painting whose work reshaped the trajectory of contemporary art. Over a career spanning more than six decades, Baselitz forged a language that confronted history, identity, and representation with unrelenting intensity, leaving a body of work that continues to resonate across generations.

 

We are deeply saddened to announce the passing of Georg Baselitz, a titan of contemporary painting, sculpture, drawing and printmaking,reads a statement shared following his death, which was announced Thursday, April 30th, 2026.A canonical innovator and one of the most important artists of our time, he had a profound influence on his fellow artists and the international art world throughout his career.

 

His works, held in major museum collections worldwide, stand as enduring markers of this influence.

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Georg Baselitz. photo © Elke Baselitz, courtesy Gagosian

 

 

a life shaped by rupture and reinvention

 

Born Hans-Georg Kern in Saxony, Georg Baselitz came of age in the shadow of war and division, experiences that informed an artistic practice defined by rupture and reinvention. He developed a singular visual vocabulary, most famously turning his subjects upside down to disrupt conventional ways of seeing and to reframe the relationship between image and viewer.

 

As noted in the obituary by Robert Isaf, he ‘defined German visual art for a generation,’ and created work embedded within a larger cultural and historical narrative.

 

Reflecting on his own process, Baselitz once described it as an excavation:I began with drawings and paintings, in a way like digging, drilling, eavesdropping, ruminating, mining, as I thought about what lies behind or below.‘ Across decades, that search produced an expansive and evolving body of work which culminated in late pieces that revisited and encapsulated a lifetime of themes.

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Georg Baselitz at the Arsenal, Venice Biennale, 2015. image © Jean-Pierre Dalbéra

 

 

a lasting impact on contemporary art

 

Georg Baselitz shaped a new identity for German art in the second half of the 20th century and has had a far-reaching impact on the international art world,the statement continues, acknowledging both the depth of his legacy and the singularity of his vision.

 

His practice consistently renewed itself through formal developments. He responded to both art history and his own work, all while maintaining a language that was distinct and recognizable.

 

Looking back on his career in 2026, Baselitz reflected on its scope and conclusion:I have a long biography to look back on. I have painted an incredibly large number of pictures over the course of more than 60 years… Now that I’m more or less at the end of my painting activity, I thought I should draw some kind of conclusion.

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installation view, Georg Baselitz: Archinto, Museo di Palazzo Grimani, Venice, 2021–2022. photo © Matteo De Fina

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Georg Baselitz working on Madame Demoisielle weit weg von der Küste (Madame Demoiselle a long way from the coast) (2019). photo © Elke Baselitz, 2021

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Georg Baselitz, The Painter in His Bed, 2022. © Georg Baselitz, photo by Jochen Littkemann

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Georg Baselitz, Adler, 2021. © Georg Baselitz, photo by Rob McKeever
Georg Baselitz, Adler, 2021. © Georg Baselitz, photo by Rob McKeever
Georg Baselitz, Lieber Marcel Duchamp, das haben sie doch von Picasso gestohlen! (Dear Marcel Duchamp, You Stole That from Picasso!), 2016. © Georg Baselitz, photo by Jochen Littkemann
Georg Baselitz, Lieber Marcel Duchamp, das haben sie doch von Picasso gestohlen! (Dear Marcel Duchamp, You Stole That from Picasso!), 2016. © Georg Baselitz, photo by Jochen Littkemann
Georg Baselitz, Orangenesser (IX) (Orangeeater [IX]), 1981. © Georg Baselitz, 2018, photo by Friedrich Rosenstiel, Köln
Georg Baselitz, Orangenesser (IX) (Orangeeater [IX]), 1981. © Georg Baselitz, 2018, photo by Friedrich Rosenstiel, Köln
Georg Baselitz, War das schon einmal da?, 2019. © Georg Baselitz, photo by Jochen Littkemann
Georg Baselitz, War das schon einmal da?, 2019. © Georg Baselitz, photo by Jochen Littkemann
Georg Baselitz, Birnbaum II (Pear Tree II), 1980. © Georg Baselitz
Georg Baselitz, Birnbaum II (Pear Tree II), 1980. © Georg Baselitz