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here’s what we know so far about the 2026 venice art biennale, shaped by the late curator koyo kouoh’s vision.
connections: 25
explore our monthly round up of must-see art, design, and architecture exhibitions to check out around the world.
connections: +180
the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
connections: +590

‘marie-cerise MC 4’ by georgia russell two cut prints in plexiglass case 130 x 160 x 17.5 cm image © georgia russell,
‘marie-cerise MC 11’ by georgia russell two cut prints in plexiglass case 78.5 x 89 x 14 cm image © georgia russell,
‘marie-cerise MC3’ by georgia russell two cut prints in plexiglass case 137 x 160 x 17.5 cm image © georgia russell,
‘marie-cerise’ by georgia russell cut print in plexiglass case 187 x 152 x 9 cm image © georgia russell,
‘marie-cerise MC 8’ by georgia russell cut print in plexiglass case 76 x 48 x 17.5 cm image © georgia russell,
‘international herald tribune no. 1’ by georgia russell cut newspaper in plexiglass case 92 x 75 x 17 cm image © georgia russell,
‘libération no.2’ by georgia russell cut newspaper in plexiglass case 72 x 52 x 17 cm image © georgia russell,
‘libération no.1’ by georgia russell cut newspaper in plexiglass case 72 x 62 x 17 cm image © georgia russell,
‘marie-cerise MC 9’ by georgia russell cut print in plexiglass case 76 x 48 x 17.5 cm image © georgia russell,
‘marie-cerise MC 6’ by georgia russell two cut prints in plexiglass case 89 x 64 x 17 cm image © georgia russell,
‘passe-temps I’ by georgia russell cut print in plexiglass case 112 x 130 x 7 cm image © georgia russell,