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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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explore must-see highlights of art basel paris, design miami.paris, and other standout shows and events across the city.
the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
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‘glasgow’, 2010 architecture by zaha hadid edition 8 + 2 ap / hand printed b/w silver gelatin (61 x 50.8 cm) photo © hélène binet, courtesy gabrielle ammann // gallery, cologne
‘firminy – a’, 2007 architecture by le corbusier edition 8 + 2 ap / hand printed b/w silver gelatin (50.8 x 61 cm) photo © hélène binet, courtesy gabrielle ammann // gallery, cologne
‘firminy – b’, 2007 architecture by le corbusier edition 8 + 2 ap / hand printed b/w silver gelatin (50.8 x 61 cm) photo © hélène binet, courtesy gabrielle ammann // gallery, cologne
‘kolumba 01’, 2007 edition: 5 + 2 ap / digital b/w silver gelatin print (120 x 153 cm) photo © hélène binet, courtesy gabrielle ammann // gallery, cologne
‘lfone – a’ (left) and ‘lfone – b’ (right), 1999 architecture by zaha hadid edition 5 + 2 ap / digital b/w silver gelatin diasec© print on dibond (80 x 102 cm) photos © hélène binet, courtesy gabrielle ammann // gallery, cologne
‘weaving’ osea, great britain, 2006 edition 8 + 2 ap / hand printed b/w silver gelatin (48 x 48 cm) photo © hélène binet, courtesy gabrielle ammann // gallery, cologne
‘vardø – a’, 2011 architecture by peter zumthor edition 8 + 2 ap / hand printed b/w silver gelatin (61 x 50.8 cm) photo © hélène binet, courtesy gabrielle ammann // gallery, cologne