voids reveal cave-like interior inside japanese residence

目 [mé] cuts a ‘hole in the world’ through a residence in japan

In the geothermal town of Kannawa in Beppu, Oita Prefecture, Japan, art collective 目 [mé] presents Space II (2025), an architectural-scale installation inside a private house. The residence is punctured by irregular voids, their edges rough and geological, as if the building has been excavated from the inside out. What opens up beyond the facade is not an interior room but a cavern, a rupture that feels closer to a natural formation than a human-made space.

all images via @mouthplustwo

architecture as perception, not enclosure

The Japanese artists of 目 [mé] remove volume from the building instead of adding to it to create the installation. Walls and floors dissolve into a continuous, cave-like void whose textured surfaces recall eroded stone and volcanic strata. Minimal handrails trace the path through the cavity, offering just enough guidance to move without neutralizing the experience.

Light seeps in through the openings, pulling fragments of Kannawa, rooftops, streets, and passing bodies into the darkness. Visitors are invited to look back out at the world through the holes, encountering the familiar as something momentarily strange.

Space II is rooted in Beppu’s geological and cultural history | image via @as_beppu

a cavern shaped by beppu’s volcanic memory

Installed at the Geothermal Tourism Lab ENMA Annex, Space II is rooted in Beppu’s geological and cultural history. Kannawa is a place formed through repeated eruptions and transformations, once feared as hell, later rebranded as a site of healing through hot springs. 目 [mé] taps into this unstable lineage, imagining a moment when the land was still actively forming, before it was stabilized by language, tourism, or infrastructure.

The cavern reflects the town, its houses, its people, and its surrounding nature, while also allowing visitors to momentarily step outside of it.

Space II follows 目 [mé]’s earlier project space (2020) at Towada Art Center, where a pristine, museum-like exhibition room was abruptly inserted into an old snack bar. In this project, the strategy shifts, and the team, instead of overlaying one context onto another, removes context altogether.

an architectural-scale installation inside a private house