PRODUCT LIBRARY
designboom previews the show and speaks with NYBG's director of public engagement and library exhibitions curator, joanna groarke.
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at sunset, the reflection of the glowing sky and onshore clouds merges with floating, shifting gradients of light across the surface of the work.
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designboom looks at how the public art fund has engaged new yorkers and visitors alike — from an endlessly spinning water vortex at the brooklyn bridge, to an upright swimming pool at rockefeller center.
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designboom spoke with the japanese artist about how the fragility of salt 'always reminds me that all things are subject to change, and that life is finite.'
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I found that the most memoral piece of the exhibition was ‘Reflection model’, the central piece with the hole in the ground. This was the first piece that a came across as you approach it from underneath the gallery before you enter. I found however that i was far more fascinated by the process queueing for the unknown and the ability to produce sheer embarrassment in each participant than the model of the Japanese region. When poking my head through the hole in the ground I found myself so distracted by the people inside the gallery staring down at me that I wasn’t so interested by the work surrounding my head which simply looks like a city scape rather than one particular that has been hit by a typhoon. I then found that the rest of the work was also almost irrelevant as that strong emotion of shock and embarrassment took centre stage, due to this, although this Pavilion was one of my favorites because of the centre piece I actually feel that it was badly curated.