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here’s what we know so far about the 2026 venice art biennale, shaped by the late curator koyo kouoh’s vision.
connections: 25
explore our monthly round up of must-see art, design, and architecture exhibitions to check out around the world.
connections: +180
the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
connections: +590
distanced view of ‘whole’ image courtesy of martha otero by brandon shigeta
side perspective of ‘whole’ image courtesy of martha otero by brandon shigeta
‘psychedelic state’, 2012 acrylic paint on canvas 20 x 20 x 1 in image courtesy of martha otero by brandon shigeta
‘cosmic distortion’, 2012 hand-cut acid-free paper, glue, wood, foam board 22.5 x 22.5 x 36.5 in image courtesy of martha otero by brandon shigeta
‘prismatic radiation’, 2012 wood, acrylic paint 47 x 47 x 1 in image courtesy of martha otero by brandon shigeta
‘cascade’, 2012 hand-cut acid-free paper, glue, wood 69 x 25 x 4 in
an alternate view of ‘cascade’ image courtesy of martha otero by kristy leibowitz
‘micros (purple, red, orange, yellow, green, blue)’, 2012 hand-cut acid-free paper, glue, wood 2 x 2 x 1 inches each (6 total) image courtesy of martha otero by brandon shigeta
image courtesy of martha otero by brandon shigeta
image courtesy of martha otero by kristy leibowitz
image courtesy of martha otero by kristy leibowitz
image courtesy of martha otero by kristy leibowitz
image courtesy of martha otero by kristy leibowitz