
the work of louise bourgeois as seen by jenny holzer at kunstmuseum basel
in an exhibition titled louise bourgeois x jenny holzer - the violence of handwriting across a page, the show sees an unprecedented encounter between two giants of american art.
JENNY HOLZER CURATES A SHOW ON LOUISE BOURGEOIS
kunstmuseum basel is presenting louise bourgeois’ work as seen by jenny holzer’s eyes. in an exhibition titled louise bourgeois x jenny holzer – the violence of handwriting across a page, the show sees an unprecedented encounter between two giants of american art.
‘the friendship between bourgeois and holzer forms the basis of this ambitious project, which might be understood as an homage by the younger artist to the older, but it is much more than that.’ comments the official release. ‘while at first glance their work might seem radically different, there is a parallel in the artists’ use of language and, in particular, the written word.’

image by kunstmuseum basel – jonas hänggi
HOLZER CREATED A THEMATIC GROUP OF BOURGEOIS’ WORK
well-known for expressing her ideas and opinions predominately through light projections and signs, american-born artist jenny holzer was given carte blanche to realize the louise bourgeois x jenny holzer – the violence of handwriting across a page exhibition at kunstmuseum basel. for the exhibition, holzer created a thematic group of bourgeois’ work throughout the nine galleries on the top floor of the museum. the presentation forgoes chronology in favor of an intuitive and poetic logic, resulting in a layered narrative about memory, the five sense, landscape, the unconscious, sexuality, motherhood, trauma and creativity.

language has been a medium used by both artists, who have employed it in a wide variety of media and formats. holzer, on one hand, uses it to dissect and question the power relations that govern politics, gender roles, economic and society.
on the other hand, bourgeois wrote obsessively, leaving a vast archive containing diaries and letters, exploring the depths of her inner psychic landscape. in her work, she embroidered works on textiles, stamped them into lead plaques, inscribed on prints, and included in certain of her cell installations, among others.

image by christopher burke
in the exhibition, holzer has moved beyond the walls and has staged interventions throughout the space. for example, the passageway connecting the neubau and the hapbau is occupied by bourgeois’ twosome (1991), a rarely seen piece. the massive mechanical installation, which resembles a railroad tank car and moves back and forth on a tract, embodies the dynamic oscillation between male and female, attraction and repulsion, union and separation, and mother and child.

image by christopher burke
the show is accompanied by an artist’s book, where holzer has created a narrative of bourgeois’ art and writings in full-page juxtapositions of often radically cropped compositions. the book puts bourgeois’ works into dialogue with works from the kunstmuseum basel’s historical collections.

image by kunstmuseum basel – jonas hänggi

image by pouran esrafily

image by kunstmuseum basel – jonas hänggi

image by kunstmuseum basel – jonas hänggi

image by christopher burke

image by xandra m. linsin
exhibition info:
name: louise bourgeois x jenny holzer – the violence of handwriting across a page
location: kunstmuseum basel | neubau and hauptbau
dates: february 19–may 15, 2022
curated by: jenny holzer and anita haldeman
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