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rising over five meters, the sculpture consists of eight perpendicular panels clad in glazed ceramic tiles.
here’s what we know so far about the 2026 venice art biennale, shaped by the late curator koyo kouoh’s vision.
connections: 25
explore our monthly round up of must-see art, design, and architecture exhibitions to check out around the world.
connections: +190
the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.

top row (left to right): ‘rose iii’, ‘sweet pea v’, ‘sweet pea iv’, ‘transvaal daisy ii’ bottom row (left to right): ‘satsuki azalea’, ‘transvaal daisy v’, ‘transvaal daisy iv’, ‘sweet pea iii’
‘southern star, pureblue ii’ (2011) digital C-print 50.8×50.8cm
‘cosmos sulphureus cav, top view’ (2010) digital C-print framed in plexiglass 100x100cm, edition of 3
variations on ‘japanese lily’, from left to right: ‘japanese lily ii’, ‘japanese lily iii’, ‘japanese lily iv’, ‘japanese lily v’, ‘japanese lily vi’
‘commelina communis L., front view’ (2011) digital C-print framed in plexiglass 100x100cm, edition of 3
‘commelina communis L., side view’ (2011) digital C-print framed in plexiglass 100x100cm, edition of 3
top row – ‘rose’ series, from left to right: ‘rose ii’, ‘rose iii’, ‘rose iv’, ‘rose v’ bottom row (left to right): ‘sunflower iv’, ‘sunflower v’, ‘spider lily iii’, ‘yoshino cherry ii’
colour variations on ‘japanese lily i’
‘lathyrus odoratus, front view’ (2009) digital C-print framed in plexiglass 100x100cm, edition of 3
detail of ‘lathyrus odoratus, front view’ (2009)
‘lathyrus odoratus, side view’ (2009) digital C-print framed in plexiglass 100x100cm, edition of 3
‘lathyrus odoratus, ecology view’ (2009) digital C-print framed in plexiglass 100x100cm, edition of 3
process: flower samples and tools
process: early sketches of lathyrus odoratus
process: digital modeling
process: photoshop modifications