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the works are staged within mangroves, tidal waterways, and open sky, allowing technology and environment to operate as a single system.
designboom speaks with the italian artist about the making of 'Ι don’t like it, Ι love it', the importance of freedom, and why the 'impossible' is often just the beginning.
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explore must-see highlights of art basel paris, design miami.paris, and other standout shows and events across the city.
the oak ridge national laboratory was born in 1943 as a top-secret part of the manhattan project.
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alternate view of ‘the origin of the world (cassis madagascariensis) indian ocean, 310′, 2012
‘life breathes the breath (in)’, 2012 sculpture, orbital-sanded and flap-wheeled lacquered bronze, 73h x 69w x 53d cm
close perspective picturing ‘life breathes the breath (in)’
‘wilder shores of desire’, 2011 sculpture, painted bronze, 225h x 242w x 156d cm
‘the archaeology of the baroque’, 2012 sculpture, painted bronze
detailed perspective of the painted, bronze orchid
‘upshot-knothole grable’, 2012 sculpture, digitally routed bianco p marble, 180h x 150w x 150d cm
‘Id’, 2012 sculpture, concrete, 225h x 75w x 125d cm
‘zombie boy (rick) cu pb nn fe mg si’, 2011 sculpture, orbital-sanded and flap-wheeled lacquered bronze, 178h x 56w x 35d cm
‘the eye of history (atlantic perspective) inverted reversal’, 2012 painting, oil on canvas, 280 cm
‘the eye of history (bering strait) reversal’, 2012 painting, oil on canvas, 280 cm
‘the eye of history (atlantic perspective) raw earth’, 2012 painting, oil on canvas, 200h x 200w cm
‘separation of body and soul rdbppywm’, 2012 painting, oil on canvas, 169.5h x 258w cm
‘zombie boy (rick) cu pb nn fe mg si’ and ‘the eye of history (bering strait) reversal’ pictured in the gallery’s interior
wide perspective of the installation
the bronze-built shell as seen in the gallery’s exterior space